Most of the time we try to use English for technical identifiers and German for business langugage, leading to lets say "interesting" code, but it works for us.
Most of the time we try to use English for technical identifiers and German for business langugage, leading to lets say "interesting" code, but it works for us.
Also, the fact that collocations can acquire more specialised meanings than just the sum of their parts is hardly unique to German (in English, the "theory of relativity" means something very specific and isn't used, e.g., for moral or epistemic relativism).
The biggest challenge I've had when writing multilingual user interfaces aren't lacking a way to translate, but just practical issues like dynamic string construction or where the structure of the UI somehow doesn't work in another language, or when a given string is used in multiple parts of the app in the English version, but the non-English versions need different strings in different places[0], or just where an English single word translates into a whole sentence (or vice versa).
[0] For example some languages don't have a commonly used word that means "limb" - i.e. arm _or_ leg. A bit niche, but if you're doing something medical-related it can cause issues.
Technically it is correct, but in doing that you lose the essence of the word “roman” and of the whole influence French culture had over the whole of Europe until not that long ago, including in Germany. It is in these cases where it is quite obvious that Britain was an island at the edge of Europe, culturally and not only.
This seems like a slightly strange objection to me; I would have thought the actual semantic problem lies with "Bildung", in that a Bildungsroman generally involves some kind of learning/development/improvement, whereas a coming-of-age novel does not necessarily involve this.
> It is in these cases where it is quite obvious that Britain was an island at the edge of Europe, culturally and not only.
I mean this is a very weird claim, which assumes that Europe is culturally homogenous (e.g. I think you will find that Britain and France are culturally closer than France and Slovenia).
I'm not familiar with "blackboard" being a valid term for any board that is black, but specifically one used in pairing with chalk to be written on.
etc.
Every language has technical words that "cannot be translated." But when we say "cannot be translated," what we mean is "it is unsafe to expect a foreign reader to know what the term means without explanation." It's not that it can't be translated; it's that there isn't necessarily a single-word equivalent. I agree with the original suggestion that these can be a challenge to translate elegantly. But, speaking as a lawyer by training, the solution is obvious: you begin your technical document by describing novel technical terms. Then you use them in your document without explanation.
Consider "sushi": how do you translate that? Nowadays, we don't. But before it was widely known, you could've just said "a sour rice dish" and be done with it. (For those of you thinking "no wait, sushi is raw fish," no. That's sashimi. Sushi is vinegared rice mixed with other stuff, often. (Sushi can be with egg, pickled plum, crab, beef, etc. none of which are fish.)
Makizushi = rolled sour rice
Nigirizushi = sour rice to be gripped
Chirashizushi = sour rice with stuff scattered in it
This isn't specific to concepts like "Bildungsroman." You're essentially saying "this word isn't just a word, but a word with implicit cultural context."
That's true of pretty much every word. Hell, translating "ao" from Japanese, you'd think is so simple: blue. Except it can also mean green because in Japanese there is less historical, cultural distinction between blue and green. So obviously green traffic lights are called "blue" in Japanese, not green.
You'll never get a perfect translation of anything that's longer than a couple words. The point of translation is getting close enough. Translating Bildungsroman as "coming of age novel" gets you so close, that if your conversation hinges on the actual nuance, you're almost assuredly talking to someone who will understand what Bildungsroman means, so you just use that word.
EDIT: One of my friends at uni did his thesis on the difference between Japanese "natsukashii" and English "nostalgic." I've always thought about that as the perfect example of how any simple translation is fraught with cultural complications. There are certainly things I would call "nostalgic" but I'd never call "natsukashii," because nostalgia can come with sadness, but natsukashii never does.
There are other words that are straight from German, for instance бутерброд (sandwitch).
Not sure about Slovenia but there's a lot more France here in Romania (from where I'm from) compared to the France that is present in Britain, that is if we ignore the 1200-1300s Norman direct influences. But that's a different discussion, related to how the insular Brits cannot really comprehend Napoleon's work to the fullest (as a reminder, what is now Slovenia was indeed, if even for a short period of time, under Napoleonic France, with Ljubljana being indeed the capital of what was then a French autonomous province [1])
gefingerpoken
mittengraben
springewerk
blowenfusen
poppencorcken
spitzensparken
Yeah I don't get this either. The English culture and language both have clear influences from French, courtesy of the Norman invasion (and other influence points over time of course). It's weird to point to Britain of all places as not being influenced by French culture.
> written in a mangled form of German.
If you show this to anyone who knows German, they will recognize that this was written by someone who doesn't.
I've been misinformed!
Would be interesting to know when these words entered Russian vocabulary: before or after Napoleon.
"From its inception, Russia has desperately needed foreign professionals—to teach Russians about governance, manufacturing, military, mining, and other trades. The Dutch, Swedes, Brits, and French were among the foreigners who came to Russia. But Germans certainly dominated, becoming a privileged nationality in Russia.
"The ruling Romanov dynasty, which shared a lot of the German bloodline, became a branch of the Oldenburg dynasty under the name of Holstein-Gottorp-Romanov. Many of its members were born in Germany and spoke Russian with an accent. Germans, especially the Baltic ones, rapidly advanced through the ranks of the Russian society thanks to their talents, persistence, discipline, and loyalty to the throne (as of 1913, approximately 2,400,000 Germans lived in Russia)."
https://www.the-american-interest.com/2015/08/27/russias-lov...