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1033 points decryption | 1 comments | | HN request time: 0s | source
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seabombs ◴[] No.44541090[source]
There's a term I read about a long time ago, I think it was "aesthetic completeness" or something like that. It was used in the context of video games whose art direction was fully realized in the game, i.e. increases in graphics hardware or capabilities wouldn't add anything to the game in an artistic sense. The original Homeworld games were held up as examples.

Anyway, this reminded me of that. Making these pictures in anything but the tools of the time wouldn't just change them, they'd be totally different artworks. The medium is part of the artwork itself.

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timoth3y ◴[] No.44541851[source]
The same holds true for everything from cave paintings to Roman frescos. It's part of human expression. The tools of that expression shape it.

For example, Bach's music was shaped by the fact that the harpsichord had no sustain. The piano changed that, but "upscaling" Bach's work to take advantage of this new technology would destroy them. You use the new technology to play them as they were written for the old. The beauty comes through despite the change.

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dahart ◴[] No.44542375[source]
Switched on Bach is one of my favorite albums of all time.
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sovietswag ◴[] No.44543317{3}[source]
You should take a listen to Tomita as well then! There is so much beautiful music in the world
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1. ddingus ◴[] No.44548776{4}[source]
Oh wow! I have not heard that name in a while! ( and yes, I know I still haven't heard it outside my own head, but that is just a nit to pick..)

Mars. That track is so great! All of them are, but that one shows off so many great synth techniques. One passage is noise that ramps. The spectral distribution changes, from emphasis on low notes to emphasis on high notes while the overall energy remains close to the same.

I remember it because I have never heard anyone else do that in a composition.

Recommendation seconded!