Anyway, this reminded me of that. Making these pictures in anything but the tools of the time wouldn't just change them, they'd be totally different artworks. The medium is part of the artwork itself.
Anyway, this reminded me of that. Making these pictures in anything but the tools of the time wouldn't just change them, they'd be totally different artworks. The medium is part of the artwork itself.
For example, Bach's music was shaped by the fact that the harpsichord had no sustain. The piano changed that, but "upscaling" Bach's work to take advantage of this new technology would destroy them. You use the new technology to play them as they were written for the old. The beauty comes through despite the change.
But here are lots of Bach synth albums and only Wendy Carlos’ work has the taste and obsessive fidelity to the original compositions to allow those ideas to come through. Most synth Bach falls into the trap of being idiomatic synth rather than idiomatic Bach, akin to playing Bach on the piano without considering how it would have sounded on the harpsichord.
https://archive.org/details/wendy-carlos-witched-on-bach
(have to donate to Internet Archive again now…) anyway Wiki says this album essentially brought the Moog/synths from experimental to popular music. In a lovely fashion, my ears do say.
Wendy Carlos is still with us at 85 years of age, but apparently hasn’t been able to press CDs for two decades, and hasn’t licensed her music for streaming. Her site links to CDs on Amazon, w/o new copies available. She sounds dope, even being an “accomplished solar eclipse photographer” per Wiki.
If anyone knows her I’m curious if someone could help her preserve/distribute these beautiful sounds. (Maybe they’re all preserved but just not distributed, and maybe she’s chillin’ and doesn’t need another cent so it’d just be hassle—wanted to throw it all out there for y’all.)
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…thanks OP for the great art btw, since I haven’t mentioned it yet. Stood the test of time!
Mars. That track is so great! All of them are, but that one shows off so many great synth techniques. One passage is noise that ramps. The spectral distribution changes, from emphasis on low notes to emphasis on high notes while the overall energy remains close to the same.
I remember it because I have never heard anyone else do that in a composition.
Recommendation seconded!