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556 points greenie_beans | 8 comments | | HN request time: 0.218s | source | bottom
1. eleveriven ◴[] No.42468980[source]
It’s particularly concerning that Spotify’s actions prioritize cheaper, anonymous tracks over legitimate artist contributions
replies(1): >>42469262 #
2. nicky0 ◴[] No.42469262[source]
What makes an artist "legitimate"?
replies(1): >>42469333 #
3. iamacyborg ◴[] No.42469333[source]
They release records and play shows.
replies(2): >>42471076 #>>42473013 #
4. nicky0 ◴[] No.42471076{3}[source]
I hear what you are saying but that's kind of an established-music-industry centric view. There are all kinds of musicians, not just "recording artists" in the 20th century industry mold.
5. troupo ◴[] No.42473013{3}[source]
That somehow makes people who create music for games and movies not legitimate artists.
replies(1): >>42475026 #
6. iamacyborg ◴[] No.42475026{4}[source]
Do those not also get released as records and do those artists not also do live shows?

I know of at least one record label that specialises in releasing game music and I’ve seen Amon Tobin (producer who make the soundtrack for a Splinter Cell game, amongst other things) live.

replies(2): >>42478849 #>>42478985 #
7. pxoe ◴[] No.42478849{5}[source]
there's probably a difference between doing maybe a handful of live shows spontaneously, and having a career that's filled with live shows and tours. having a "record" (a whatever physical release) is kind of irrelevant cause anyone can put anything on anything, live shows and tours are more complicated and some people just don't do it, and it's a yet more bizarre way to measure "legitimacy" cause again, so much music and so many artists just don't do that.
8. troupo ◴[] No.42478985{5}[source]
Some composers do that, but most do not.

Movie and game composers are literally work for hire. It's their employers who may or may not release a record related to that employer's work that may or may not credit the people involved.

Even the extremely successful and popular composers are not necessarily releasing records or doing live shows. Even John Williams is primarily a conductor and a classical composer who didn't really start "touring" until 2002 or so. Same for Hans Zimmer. He doesn't release "records". Studios hiring him release movie soundtracks for which he was specifically hired. Etc.

According to your definition of "legitimate artists" these artists are not legitimate.