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Space Elevator

(neal.fun)
1773 points kaonwarb | 1 comments | | HN request time: 0s | source
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isgb ◴[] No.45643283[source]
> Space elevators are actually a possible idea being considered by scientists. > The hard part is making a strong enough cable. And finding enough elevator music...

Most engineers would bring up a lot more issues than just finding a strong cable. Also, most attempts with e.g. carbon nanotubes have been abandoned ages ago https://www.newscientist.com/article/2093356-carbon-nanotube....

- We don't have a good ascent mechanism other than rockets - and then we might just use rockets without building an elevator. - We don't have a good (and safe) descent mechanism. - Maintenance? Protection from space debris? Protection from oscillations? Ground-protection if the elevator collapses?

This is dyson-sphere level of fiction. We can do back-of-the-napkin calcualtions on how things would work, but the practicalities make it completely impossible or impractical.

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seanc ◴[] No.45643508[source]
Kim Stanley Robinson's description of a Martian space elevator falling and wrapping twice around the entire planet convinced me that they aren't a good idea.

https://www.kimstanleyrobinson.info/content/clarke

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enraged_camel ◴[] No.45643883[source]
A version of this also happens in the first season of Foundation, the Apple TV series based on Asimov's novels.
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joenot443 ◴[] No.45644219[source]
Would you recommend that show to the HN crowd? The books are super well liked around here, for good reason.

Apple's put out a staggering amount of content the last few years, I wasn't even aware this one debuted!

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bananaflag ◴[] No.45644561[source]
Not the OP, but that show is a severely dumbed down adaptation of the books.

For example, each short story almost completely changes the cast (of course, with some descendants of characters appearing occasionally), as befits a saga that spans centuries. No producer was willing to run with that (as they didn't believe the audience smart enough to follow it would be big enough for the show to make a profit), so they introduced cryonics, clones, sorta-AIs (including robots out of their original context) to have some sort of continuing cast.

Also, the books have a quaint 1940s (NOT 1950s as people usually say it) atmosphere, with excitement about "atomic" energy (changed to "nuclear" in the 1950s publication), distant descendents of the slide rule, and generally weird-sounding math and science, that the show totally drops in favor of a "contemporary" feel.

And btw, the space elevator scene is lifted from Brin's Foundation's Triumph where it is described as a "future" event, part of Trantor's fall, predicted by Seldon's early team and trickled down to the general population.

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1. Frotag ◴[] No.45644670[source]
> For example, each short story almost completely changes the cast (of course, with some descendants of characters appearing occasionally)

I wish directors were brave enough to kill off characters if it serves the plot. I get that there's IRL reasons that make it difficult (like contracts, scheduling, etc) but each new season accumulates more subplots to the point it's like a 30 minute episode is really a compilation of 3x 10-minute shows.

This bugs me in multiple-protagonist books too. Just feels like an excuse to pad the page count with introductions and cliff hangers every POV switch.