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275 points starkparker | 3 comments | | HN request time: 0s | source
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cortesoft ◴[] No.45133347[source]
So the author talks about how little money per stream artists make... but how much SHOULD they be making? What is fair compensation for writing a song?

In the old days, artists would join a label and put out an album. The artist would earn about 10% of sales or so (varies of course, but on average). So a $15 CD would earn an artist $1.50.

The article lists the 'price per stream' as about $0.005. So it would take about 300 streams of a song to earn the same amount as selling a CD used to make.

I feel like that isn't categorically less money than artists used to make per song listen? There are many albums I own that I have listened to way more than 30 times, which is what it would take for a 10 song album to get 300 song 'streams'

Is that a fair compensation? Why or why not?

I think artists should be able to earn money from creating music, but I don't know how we decide how much they actually deserve if we aren't just going based on the price the market sets.

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0xbadcafebee ◴[] No.45133449[source]
> how little money per stream artists make ... What is fair compensation for writing a song?

Those are two different things. Recording artist does not always equal songwriter. So how much should the songwriter make? The recording studio? The audio engineer? All the other people involved in creating the recorded song? Now that it's made, how do you get people to know the song exists and want to listen to it, much less purchase it?

The reason compensation isn't a settled thing is it's a very complex thing to answer.

The simplest possible answer is "the artist sets their own price" - assuming they just DIY'd the entire production, advertising, distribution, etc themselves. But that is so much work that they would need to already have an income stream to give them the time to do it all, not to mention all the non-music skills if they're not paying professionals to do the rest.

If they're not just going to play at the local coffee shop, or bus from city to city barely making enough for gas and beer, they need some way to professionally produce, mass-market, and mass-distribute their songs. It's not feasible for most musicians to do this themselves, so there exists a music industry to do it... which gives them all the cards... letting them set the price, and contract terms... which are often unfair. That's what happens when an industry is given the power to exploit people: they do.

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Daz1 ◴[] No.45135428[source]
People don't actually care about answering this question, they just want to steal music and keep a 'clean' conscience.
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1. onion2k ◴[] No.45135597[source]
I think the opposite is actually true - people want to pay for music, but in a way that compensates the artists they like without enriching someone who 'only' provides the mechanism that they use to listen. People rail against Spotify, music labels, and TicketMaster for extracting so much money from the music industry that there's very little left for people who actually make the music.
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2. philipallstar ◴[] No.45136366[source]
The music industry has made millionaires out of people who would otherwise just be playing or singing in a room.
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3. steveBK123 ◴[] No.45141789[source]
The software industry has made millionaires out of people that would otherwise just be hacking or debugging in a room.