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I Am An AI Hater

(anthonymoser.github.io)
443 points BallsInIt | 5 comments | | HN request time: 0s | source
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jkingsman ◴[] No.45044262[source]
I appreciate seeing this point of view represented. It's not one I personally hold, but it is one a LOT of my friends hold, and I think it's important that it be given a voice, even if -- perhaps especially if -- a lot of people disagree with it.

One of my friends sent me a delightful bastardization of the famous IBM quote:

A COMPUTER CAN NEVER FEEL SPITEFUL OR [PASSIONATE†]. THEREFORE A COMPUTER MUST NEVER CREATE ART.

Hate is an emotional word, and I suspect many people (myself included) may leap to take logical issue with an emotional position. But emotions are real, and human, and people absolutely have them about AI, and I think that's important to talk about and respect that fact.

† replaced with a slightly less salacious word than the original in consideration for politeness.

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randcraw ◴[] No.45044367[source]
Picasso's Guernica was born of hate, his hate of war, of dehumanization for petty political ends. No computer will ever empathize with the senseless inhumanity of war to produce such a work. It must forever parrot.
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perching_aix ◴[] No.45044662[source]
To honor the "spirit" of OP's post:

I looked up Picasso's Guernica now out of curiosity. I don't understand what's so great about this artwork. Or why it would represent any of the things you mention. It just looks like deranged pencilwork. It also comes across as aggressively pretentious.

What makes that any better than some highly derivative AI generated rubbish I connect to about the same amount?

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jacquesm ◴[] No.45044721[source]
That a human made it to express their feelings.
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perching_aix ◴[] No.45044744[source]
What do I care? Can't even tell what feelings are supposedly being expressed there.
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mm263 ◴[] No.45044857{5}[source]
Why do you care to connect with another human? Try to feel his emotions, what he tried to express? If you see no value in that, there's no discussion to have, honestly. For most people I know there's value in connecting with others and emphasizing with their emotions
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1. petralithic ◴[] No.45045177{6}[source]
But they just said they don't get what emotions are meant to be expressed, so how can they try to feel his emotions?
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2. mm263 ◴[] No.45046273[source]
Many things require one to reject self-imposed boundaries. For example[1]:

> There's a story that, IIRC, was told by Brian Enos, where he was practicing timed drills with the goal of practicing until he could complete a specific task at or under his usual time. He was having a hard time hitting his normal time and was annoyed at himself because he was slower than usual and kept at it until he hit his target, at which point he realized he misremembered the target and was accidentally targeting a new personal best time that was better than he thought was possible. While it's too simple to say that we can achieve anything if we put our minds to it, almost none of us are operating at anywhere near our capacity and what we think we can achieve is often a major limiting factor.

---

Art is nothing like shooting. My first instinct looking at Guernica is that I also feel nothing, but one can limit oneself and say: if I feel nothing initially, I will feel nothing at all. If you prime yourself to be open to an experience of putting yourself into the shoes of the author, you might start feeling something.

[1]: https://danluu.com/culture/

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3. petralithic ◴[] No.45046491[source]
Maybe. Or maybe one just gets it, or they don't, for a particular piece.
4. kelnos ◴[] No.45048382[source]
Art is a difficult, subjective matter sometimes. I don't think we can expect everyone to "get" every piece of art. If the poster upthread wanted to, they could read more about the painting, in detail, where perhaps someone writes about various specific features of it and what people believe those features mean. Maybe that would provide more understanding, and they could feel his emotions that way.

I'm not saying they have to or should do that; maybe they just don't care enough. And that's fine. But the option is there.

If someone prompts an AI, "generate an image in the style of Picasso's Guernica", then the result of that, by definition, has no deeper meaning. No emotion went into creating it. The person who prompted the AI could make something up, but it's hard to say what's "real" there. Even if they were to guide the image generation by describing their own emotions, the result wouldn't really be their own expression of their emotions. It would be the AI's probabilistic guess as to what those emotions look like on paper, when rendered using Guernica's style, based on a mish-mash of thousands of different artists and art history research. Ultimately it just doesn't mean anything.

I accept the idea that a talented artist could guide the AI with much deeper specifics about what to "draw", how to draw it, etc. And maybe -- maybe -- that's something that would convey the human's emotions faithfully. But I don't think that's what we're talking about here.

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5. petralithic ◴[] No.45055534[source]
> But I don't think that's what we're talking about here.

Actually that is exactly what I'm talking about. I'm not talking about AI beginners putting in some words into a text box, I'm talking about creatives who use workflow managers like ComfyUI to create exactly the output they envision in their minds. In this way, the AI generation is merely a tool to get out whatever is in their head via synthesized means rather than manual (literally, hand) means. For example, this is a list of node work flows, it's similar to game programming in that you have inputs and you want to transform them to certain outputs, and that transformation work is thoughtful by the human and is what I imbue the creative aspect to.

https://modal.com/blog/comfyui-custom-nodes