My screenplays are heavily influenced by Japanese Anime (which I have researched to a great degree[0]). Some animes have _a lot_ of that kind of dialogue. Sometimes it's just bad writing, but other times it is actually extremely useful.
The times where it is useful are crucial to make a film or show, especially live-action, feel like anime. Thought processes like those presented in the article make it seem like all on-the-nose dialogue is bad and in turn, make my job much harder.