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300 points pseudolus | 1 comments | | HN request time: 0.216s | source
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Projectiboga ◴[] No.44409650[source]
What has been developing for awhile is that musicians are coming from richer backgrounds on average. They can dally around trying their hand as a working musician and can fail and not be destitute. The age of a working class or lower class musician is waining.
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absurdo ◴[] No.44410088[source]
That has been the case for a very, very long time. Classical music is basically one big orgy of wealthy people. Musicians born into families of musicians that were well off. Same goes for other artistic pursuits such as painters etc.

I found very little actual insight in this article. I think musicians have been struggling for decades and the parents have known for at least as long to tell their kids to get a degree regardless of their talents. Schools like Berklee are… questionable at best. Lots off nepo babies just taking a few years to fuck about, basically.

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analog31 ◴[] No.44410349[source]
I've played with Berklee-trained musicians. It's a mixed bag. They won't turn you into a great musician against your will. This is true of any education. And you have to already be **** good when you apply in order to make full use of the opportunities that they offer.

Oddly enough Berklee is considered to be a jazz school, but the players from there who I consider to be real stand-outs (performing at an international level, or well on their way to doing so) have chosen to earn their livings outside of mainstream jazz.

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pclmulqdq ◴[] No.44410358[source]
Mainstream jazz really doesn't make money. Also, Berklee is also really strong in the broader field of "Commercial Music" which includes things like film scoring and pop-oriented genres.
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dfedbeef ◴[] No.44410461[source]
What is mainstream jazz
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1. chickenzzzzu ◴[] No.44410556[source]
Kenny G, of course. I saw him rummaging through the dumpster in Kirkland just a few days ago.