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451 points croes | 25 comments | | HN request time: 0.856s | source | bottom
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brador ◴[] No.43962450[source]
Lifetime for human copyright, 20 years for corporate copyright. That’s the golden zone.
replies(2): >>43962626 #>>43962923 #
Zambyte ◴[] No.43962626[source]
Zero (0) years for corporate copyright, zero (0) years for human copyright is the golden zone in my book.
replies(2): >>43962681 #>>43963025 #
umanwizard ◴[] No.43962681[source]
Why?
replies(2): >>43962773 #>>43962937 #
1. whamlastxmas ◴[] No.43962937[source]
Because the concept of owning an idea is really gross. Copyright means I can’t write about whatever I want in my own home even if I never distribute it or no one ever sees it. I’m breaking the law by privately writing Harry Potter fanfic in my journal or whatever. Copyright is supposed to be about encouraging intangibles, and the reality is that it only massively stifles it
replies(4): >>43963076 #>>43963326 #>>43963409 #>>43963555 #
2. redwall_hp ◴[] No.43963076[source]
Whole genres of music are based entirely on sampling, and they got screwed by copyright law as it evolved over the 90s and 2000s. Now only people with a sufficiently sized business backing them can truly participate, or they're stuck licensing things on Splice.

And that's not even touching the spurious lawsuits about musical similarity. That's what musicians call a genre...

It makes some sense for a very short term literal right to reproduction of a singular work, but any time the concept of derivative works comes into play, it's just a bizarrely dystopian suppression of art, under the supposition that art is commercial activity rather than an innate part of humanity.

3. flats ◴[] No.43963326[source]
I don’t believe this is true? I’m pretty sure that you’re prohibited from making money from that fan fiction, not from writing it at all. So I don’t understand the claim that copyright “massively stifles” creativity. There are of course examples of people not being able to make money on specific “ideas” because of copyright laws, but that doesn’t seem to me to be “massively stifling” creativity itself, especially given that it also protects and supports many people generating these ideas. And if we got rid of copyright law, wouldn’t we be in that exact place, where people wouldn’t be allowed to make money off of creative endeavors?

I mean, owning an idea is kinda gross, I agree. I also personally think that owning land is kinda gross. But we live in a capitalist society right now. If we allow AI companies to train LLMs on copyrighted works without paying for that access, we are choosing to reward these companies instead of the humans who created the data upon which these companies are utterly reliant for said LLMs. Sam Altman, Elon Musk, and all the other tech CEOs will benefit in place of all of the artists I love and admire.

That, to me, sucks.

replies(3): >>43963483 #>>43964780 #>>43964830 #
4. ◴[] No.43963409[source]
5. Zambyte ◴[] No.43963483[source]
> And if we got rid of copyright law, wouldn’t we be in that exact place, where people wouldn’t be allowed to make money off of creative endeavors?

This is addressed in the second article I linked.

replies(1): >>43966687 #
6. otterley ◴[] No.43963555[source]
Copyright doesn’t protect ideas. It protects expression of those ideas.

Consider how many books exist on how to care for trees. Each one of them has similar ideas, but the way those ideas are expressed differ. Copyright protects the content of the book; it doesn’t protect the ideas of how to care for trees.

replies(1): >>43964697 #
7. 93po ◴[] No.43964697[source]
Disney has a copyright over Moana. I would argue Moana is an idea in the sense that most people think of as ideas. Moana isn't tangle, it's not a physical good. It's not a plate on my table. It only exists in our heads. If I made a Moana comic book, with an entirely original storyline and original art and it was all drawn in my own style and not using 3D assets similar to their movies, that is violating copyright. Moana is an idea and there are a million ways to express the established character Moana, and Moana itself is an idea built on a million things that Disney doesn't have any rights to - history, culture, tropes, etc.

I understand what you're saying but the way you're framing it isn't what I really have a problem with. I still don't agree with the idea that I can't make my own physical copies of Harry Potters books, identical word for word. I think people can choose to buy the physical books from the original publisher because they want to support them or like the idea that it's the "true" physical copy. And I'm going to push back on that a million times less than the concept of things like Moana comic books. But still, it's infringing copyright for me to make Moana comic books in my own home, in private, and never showing them to anyone. And that's ridiculous.

replies(2): >>43966978 #>>43967451 #
8. 93po ◴[] No.43964780[source]
Copyright isn't about distribution, it's about creation. In reality the chances of getting in trouble is basically zero if you don't distribute it - who would know? But technically any creation, even in private, is violating copyright. Doesn't matter if you make money or put it on the internet.

There is fair use, but fair is an affirmative defense to infringing copyright. By claiming fair use you are simultaneously admitting infringement. The idea that you have to defend your own private expression of ideas based on other ideas is still wrong in my view.

replies(1): >>43965095 #
9. 93po ◴[] No.43964830[source]
I will also add: there are tons of examples of companies taking down not for profit fanction or fan creation of stuff. Nintendo is very aggressive about this. The publisher of Harry Potter has also aggressively taken down not for profit fanfiction.

> If we allow AI companies to train LLMs on copyrighted works without paying for that access, we are choosing to reward these companies instead of the humans who created the data upon which these companies are utterly reliant for said LLMs.

It's interesting how much parallel there is here to the idea that company owners reap the rewards of their employee's labor when doing no additional work themselves. The fruits of labors should go to the individuals who labor, I 100% agree.

10. Zambyte ◴[] No.43965095{3}[source]
> Copyright isn't about distribution, it's about creation

This is exactly wrong. You can copy all of Harry Potter into your journal as many times as you want legally (creating copies) so long as you do not distribute it.

replies(1): >>43966393 #
11. whamlastxmas ◴[] No.43966393{4}[source]
https://en.wikipedia.org/wiki/Copyright_law_of_the_United_St...

"copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly"

"The owner of a copyright has the exclusive right to do and authorize others to do the following: To reproduce the work in copies or phonorecords;To prepare derivative works based upon the work;"

"Commonly, this involves someone creating or distributing"

https://www.copyright.gov/what-is-copyright/

"U.S. copyright law provides copyright owners with the following exclusive rights: Reproduce the work in copies or phonorecords. Prepare derivative works based upon the work."

https://internationaloffice.berkeley.edu/students/intellectu...

"Copyright infringement occurs when a work is reproduced, distributed, displayed, performed or altered without the creator’s permission."

There are endless legitimate sources for this. Copyright protects many things, not just distribution. It very clearly disallows the creation and production of copyrighted works.

12. SketchySeaBeast ◴[] No.43966687{3}[source]
Is it though? All I see is hand-waving.
13. otterley ◴[] No.43966978{3}[source]
> [Moana] only exists in our heads.

Moana and Moana 2 are both animated movies that have already been made. They're not just figures of one's imagination.

> If I made a Moana comic book, with an entirely original storyline and original art and it was all drawn in my own style and not using 3D assets similar to their movies, that is violating copyright

It might be, or it might not. Copyright protects the creation of derivative works (17 USC 101, 17 USC 103, 17 USC 106), but it's the copyright holder's burden to persuade the court that the allegedly infringing work with the character Moana in it is derivative of their protected work.

Ask yourself the question: what is the value of Moana to you in this hypothetical? What if you used a different name for the character and the character had a different backstory and personality?

> I still don't agree with the idea that I can't make my own physical copies of Harry Potters books

You might think differently if you had sunk thousands of hours into creating a new novel and creative work was your primary form of income.

> But still, it's infringing copyright for me to make Moana comic books in my own home, in private, and never showing them to anyone.

It seems unlikely that Disney is would go after you for that. Kids do it all the time.

14. umanwizard ◴[] No.43967451{3}[source]
In the world you’re proposing, you would also not be able to make word-for-word copies of Harry Potter books, because Harry Potter wouldn’t exist.
replies(1): >>43969070 #
15. 93po ◴[] No.43969070{4}[source]
why not? people write fiction all the time and put it on the internet for free. in fact, i'd say there's significantly more unpaid fiction writing in the world than paid.
replies(2): >>43969731 #>>43969818 #
16. otterley ◴[] No.43969731{5}[source]
People don't copy amateur fiction they can find for free. They copy (or rather, make derivative works of) successful commercial content because it is successful and well known.
17. umanwizard ◴[] No.43969818{5}[source]
Yes, and most of it is awful, whereas Joanne Rowling is talented.

It’s very unlikely that she would (or even could) have devoted herself to writing fiction in her free time as a passion project without hope of monetary reward and without any way to live from her writing for the ten years it took to finish the Potter series.

And even if she had somehow managed, you’d never hear about it, because without publishers to act as gatekeepers it’d have been lost in the mountains of fanfic and whatever other slop amateur writers upload to the internet.

replies(1): >>43978679 #
18. 93po ◴[] No.43978679{6}[source]
Most is awful, but I'd still say there's just as much good unpaid fiction as paid fiction. Lots of paid fiction is also really, really bad.
replies(1): >>43978723 #
19. umanwizard ◴[] No.43978723{7}[source]
Ok, what are some examples of high-quality literary fiction published for free?
replies(1): >>43998026 #
20. 93po ◴[] No.43998026{8}[source]
i could give examples of both paid and unpaid and have them shot down as "this is crap writing". instead i will simply point out that there is very popular unpaid fiction on the internet, and its popularity is indicative of its quality, even if it doesn't match the standards of a literature PhD for "good writing". so basically go look for the most popular unpaid fiction online and there's your answer. i mean all of this conversationally and kindly, if my tone feels patronizing at all.
replies(2): >>43998947 #>>44001090 #
21. otterley ◴[] No.43998947{9}[source]
I think some examples would be helpful that support your argument, along with popularity metrics for these.
22. umanwizard ◴[] No.44001090{9}[source]
I specified "literary fiction" intentionally, because I suspected it would be the hardest kind for you to find, and that good genre fiction (sci-fi, mystery, romance, etc.) would be somewhat more likely (though still unlikely) to be available for free. But you seem to have ignored that stipulation and steered us back to just talking about fiction in general, and also using popularity as a benchmark for quality...

> its popularity is indicative of its quality, even if it doesn't match the standards of a literature PhD for "good writing"

This is a false dichotomy. Literature PhDs are not the only people out there who enjoy high-quality literature more than light entertainment, and anyway, you seem to be admitting that there's a type of fiction that doesn't exist unpaid, so isn't this just proving my point correct?

All that said, even if I accept for the sake of argument that the existence of popular free genre fiction would be enough to prove your point (because, in fairness to you, we were originally talking about Harry Potter, which is as genre as it gets)... I went looking, and there are at most a few sporadic examples. A few minutes of research suggest that some books by Cory Doctorow are among the most popular ones. Also, The Martian by Andy Weir used to be freely available, but isn't anymore as far as I can find.

Sorry, but Cory Doctorow and (formerly) Andy Weir represent a pretty small body of work compared to the entire canon of paid novels, so I'm going to have to call BS on your claim unless you provide some examples of your own.

replies(1): >>44007585 #
23. 93po ◴[] No.44007585{10}[source]
i didnt respond to the literary part because it's moving the goalposts. i don't care about the literary value of things i read for fun, and most people don't as long as the style and structure of writing doesn't stop them from enjoying it. i never made assertions about "literary" fiction writing, just fiction writing in general
replies(1): >>44011411 #
24. umanwizard ◴[] No.44011411{11}[source]
You didn’t respond to the entire second half of my post.
replies(1): >>44014522 #
25. ◴[] No.44014522{12}[source]