And that's not even touching the spurious lawsuits about musical similarity. That's what musicians call a genre...
It makes some sense for a very short term literal right to reproduction of a singular work, but any time the concept of derivative works comes into play, it's just a bizarrely dystopian suppression of art, under the supposition that art is commercial activity rather than an innate part of humanity.
I mean, owning an idea is kinda gross, I agree. I also personally think that owning land is kinda gross. But we live in a capitalist society right now. If we allow AI companies to train LLMs on copyrighted works without paying for that access, we are choosing to reward these companies instead of the humans who created the data upon which these companies are utterly reliant for said LLMs. Sam Altman, Elon Musk, and all the other tech CEOs will benefit in place of all of the artists I love and admire.
That, to me, sucks.
Consider how many books exist on how to care for trees. Each one of them has similar ideas, but the way those ideas are expressed differ. Copyright protects the content of the book; it doesn’t protect the ideas of how to care for trees.
I understand what you're saying but the way you're framing it isn't what I really have a problem with. I still don't agree with the idea that I can't make my own physical copies of Harry Potters books, identical word for word. I think people can choose to buy the physical books from the original publisher because they want to support them or like the idea that it's the "true" physical copy. And I'm going to push back on that a million times less than the concept of things like Moana comic books. But still, it's infringing copyright for me to make Moana comic books in my own home, in private, and never showing them to anyone. And that's ridiculous.
There is fair use, but fair is an affirmative defense to infringing copyright. By claiming fair use you are simultaneously admitting infringement. The idea that you have to defend your own private expression of ideas based on other ideas is still wrong in my view.
> If we allow AI companies to train LLMs on copyrighted works without paying for that access, we are choosing to reward these companies instead of the humans who created the data upon which these companies are utterly reliant for said LLMs.
It's interesting how much parallel there is here to the idea that company owners reap the rewards of their employee's labor when doing no additional work themselves. The fruits of labors should go to the individuals who labor, I 100% agree.
This is exactly wrong. You can copy all of Harry Potter into your journal as many times as you want legally (creating copies) so long as you do not distribute it.
"copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly"
"The owner of a copyright has the exclusive right to do and authorize others to do the following: To reproduce the work in copies or phonorecords;To prepare derivative works based upon the work;"
"Commonly, this involves someone creating or distributing"
https://www.copyright.gov/what-is-copyright/
"U.S. copyright law provides copyright owners with the following exclusive rights: Reproduce the work in copies or phonorecords. Prepare derivative works based upon the work."
https://internationaloffice.berkeley.edu/students/intellectu...
"Copyright infringement occurs when a work is reproduced, distributed, displayed, performed or altered without the creator’s permission."
There are endless legitimate sources for this. Copyright protects many things, not just distribution. It very clearly disallows the creation and production of copyrighted works.
Moana and Moana 2 are both animated movies that have already been made. They're not just figures of one's imagination.
> If I made a Moana comic book, with an entirely original storyline and original art and it was all drawn in my own style and not using 3D assets similar to their movies, that is violating copyright
It might be, or it might not. Copyright protects the creation of derivative works (17 USC 101, 17 USC 103, 17 USC 106), but it's the copyright holder's burden to persuade the court that the allegedly infringing work with the character Moana in it is derivative of their protected work.
Ask yourself the question: what is the value of Moana to you in this hypothetical? What if you used a different name for the character and the character had a different backstory and personality?
> I still don't agree with the idea that I can't make my own physical copies of Harry Potters books
You might think differently if you had sunk thousands of hours into creating a new novel and creative work was your primary form of income.
> But still, it's infringing copyright for me to make Moana comic books in my own home, in private, and never showing them to anyone.
It seems unlikely that Disney is would go after you for that. Kids do it all the time.
It’s very unlikely that she would (or even could) have devoted herself to writing fiction in her free time as a passion project without hope of monetary reward and without any way to live from her writing for the ten years it took to finish the Potter series.
And even if she had somehow managed, you’d never hear about it, because without publishers to act as gatekeepers it’d have been lost in the mountains of fanfic and whatever other slop amateur writers upload to the internet.
> its popularity is indicative of its quality, even if it doesn't match the standards of a literature PhD for "good writing"
This is a false dichotomy. Literature PhDs are not the only people out there who enjoy high-quality literature more than light entertainment, and anyway, you seem to be admitting that there's a type of fiction that doesn't exist unpaid, so isn't this just proving my point correct?
All that said, even if I accept for the sake of argument that the existence of popular free genre fiction would be enough to prove your point (because, in fairness to you, we were originally talking about Harry Potter, which is as genre as it gets)... I went looking, and there are at most a few sporadic examples. A few minutes of research suggest that some books by Cory Doctorow are among the most popular ones. Also, The Martian by Andy Weir used to be freely available, but isn't anymore as far as I can find.
Sorry, but Cory Doctorow and (formerly) Andy Weir represent a pretty small body of work compared to the entire canon of paid novels, so I'm going to have to call BS on your claim unless you provide some examples of your own.