Not sure how this relates to the heritage status of older productions though.
Not sure how this relates to the heritage status of older productions though.
the fx scene in 2025 is full throttle with a short-form single-effect pieces being released daily, and some of them are actually quite good. some people also release the code to them unlike what demoscene guys did back in the day, as it all was closed culture, albeit free.
my comment was really - if kids are incentivized to do genart for money, or to just share pieces of short-attention spam material, why do it for the classic fun of it of the demoscene?
(That said, I'm assuming by "genart" you either mean modern AI-based generative art, or you mean all generative art in general. Either way, while somewhat/tangentially related to the demoscene, they are not direct analogs or descendants.)
Besides - demo scene was not only about performance, never was. Even though the hacker side of it is about it, the aesthetic is not.