Wasn't it even Tron who didn't qualify for the special effects oscar because they "used computers"?
It's interesting that it's no longer "computer bad", now it's "AI bad".
Wasn't it even Tron who didn't qualify for the special effects oscar because they "used computers"?
It's interesting that it's no longer "computer bad", now it's "AI bad".
fwiw: I got out of that industry because it became clear quickly that the technology was going to enable a lot of skilled story tellers to become talented artists, I am a business/technology person who happens to be decent at story telling and naturally not awful at picture making - I would have gotten crushed by what the technologies enabled as the abstractions and programatic features opened up film making to people who didn't want to or couldn't naturally grasp the physics/controls. I'm grateful past me was able to think about this clearly because it lead me to meeting Ben and Moisey and joining them to go on and build DigitalOcean, one of the most amazing experiences of my life.
I'm not sure if that bet really paid off. I feel like the number or both "skilled artist" and "skilled storyteller" didn't really move. It just feels higher because the barrier to entry and validation is "how well can I market myself on social media?" Not "can I get into/create my own studio?" or any other metric a craftsman would use. I don't necessarily callel this a bad thing, and I'd even argue that it only magnified existing issues instead of creating new new ones. but it has obvious down sides.
Deviant art played a part in that, so kudos. Or perhaps, you've doomed us all? Hard to say, I always had a strange relationship with DeviantArt.