Stopped clock, twice right?
(https://practicaltypography.com/times-new-roman-alternatives...)
> When Times New Roman appears in a book, document, or advertisement, it connotes apathy. It says, “I submitted to the font of least resistance.” Times New Roman is not a font choice so much as the absence of a font choice, like the blackness of deep space is not a color. To look at Times New Roman is to gaze into the void.
> If you have a choice about using Times New Roman, please stop. Use something else.
And on Calibri:
(https://practicaltypography.com/calibri-alternatives.html)
> Like Cambria, Calibri works well on screen. But in print, its rounded corners make body text look soft. If you need a clean sans serif font, you have better options.
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To telegraph an identity, TNR is a good choice for this administration; so, credit where due, well played. Still, I would have gone with Comic Sans.
https://archive.ph/2025.12.10-001235/https://www.nytimes.com...
In an “Action Request” memo obtained by The New York Times, Mr. Rubio said that switching back to the use of Times New Roman would “restore decorum and professionalism to the department’s written work.” Calibri is “informal” when compared to serif typefaces like Times New Roman, the order said, and “clashes” with the department’s official letterhead.
As far back as I can recall, this is a politician who has railed against 'political correctness'.
That's interesting because I've long been under the impression that serif fonts promoted easier reading. As such, serif fonts could / should be considered more accessible.
To spite these people I force the use of Arial on the worst offenders. The list is now a couple of thousand websites long.
I picked Arial so that I could tell the web pages apart from those who had the good taste to leave my web browsers standard font alone. I don't mind arial.
Another issue is due to the font size and font metrics, how much space it will take up on the page, to be small enough to avoid wasting paper and ink but also not too small to read.
So, there are multiple issues in choosing the fonts; however, Times New Roman and Calibri are not the only two possible choices.
Maybe the government should make up their own (hopefully public domain) font, which would be suitable for their purposes (and avoiding needing proprietary fonts), and use that instead.
It’s clear, legible and whimsical.
But I have no idea what font was used in the book I just finished reading or the book that I'm returning to later today. My main question about a font is whether I can read it with old eyes.
I do agree that designers should care about these matters. I'll add that for some portion of the reading public TNR more likely means The New Republic than Times New Roman.
[Five minutes later: the book just finished, What We Can Know by Ian McEwan, appears to be set in Palatino, never a favorite of mine. The one I'm returning to, I'm not sure.]
<https://web.archive.org/web/20151207071605/http://historywei...>
Times New Roman might not be the world's most beautiful font, but at least is a little bit less atrocious than Calibri (which is awful). So, whatever the rationale invoked, I welcome the change.
Sometimes, when I have to work on documents which will be shared with many users, I use Times New Roman as serif, and Arial as a sans serif. Both choices are (admittedly in my very subjective opinion) better than Calibri, and it's almost guaranteed that every PC will have these fonts available, or at least exact metric equivalents of them.