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430 points mhb | 1 comments | | HN request time: 0s | source
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techblueberry ◴[] No.46177361[source]
I will pre-empt this by saying I most certainly look to the past with rose colored glasses, and some of this is for sure childhood nostalgia, but one thing I appreciate about the aesthetics of the past is they felt more… Honest; for lack of a better term. Things made out of wood and metal were actually made out of hardwood and metal. Not so many composites that fall apart instead of wear ala wabi-sabi. So I think there’s something to the fact that the past was kind of “cute”, just not in all storybook way.

Theres a lake I visit in the summer that I’ve been visiting since the 80’s, and the houses used to all be wood cottages with no fences, now they’re all mansions, many walled off. Sure the houses weren’t insulated, and you would be crammed in there together, but it felt way more…. Human? Communal?

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andrewvc ◴[] No.46177549[source]
Maybe, but really consumerism wasn’t a thing for most of history because almost no one had the money to decorate intentionally in the way we do today. The very wealthy did to varying extents. When we look at the past we always imagine ourselves to be the ones in Downton Abbey, but most people were lucky to inherit some furniture.

I would argue that the reverence for real wood and craft you espoused (and I share) is in part possible due to living in a consumerist society. For what it’s worth it is still possible to buy those same quality goods today, and certainly at lower cost . However, I would balk at paying the historical fraction of my income (or multiple if we go back to the 1700s), for a new bed.

In short cheap dishonest crap is what we ultimately want. It lets us focus our time and resources elsewhere

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directevolve ◴[] No.46177571[source]
A good depiction of the gritty realities and the meaning of material striving for the very poor in turn of the century farm life is the novel Independent People, by Halldor Laxness, an Icelandic nobel laureate.
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1. AlotOfReading ◴[] No.46179126[source]
Keep in mind that Halldor's book is depicting a situation fairly specific to Iceland: people recently freed from debt bondage, in a desperately poor and isolated area caught between much larger forces. It's not an attempt to accurately depict what it meant to be working poor for American laborers, like say grapes of wrath.