Plus his GitHub. The recently released nanochat https://github.com/karpathy/nanochat is fantastic. Having minimal, understandable and complete examples like that is invaluable for anyone who really wants to understand this stuff.
Plus his GitHub. The recently released nanochat https://github.com/karpathy/nanochat is fantastic. Having minimal, understandable and complete examples like that is invaluable for anyone who really wants to understand this stuff.
> Yesterday I was browsing for a Deep Q Learning implementation in TensorFlow (to see how others deal with computing the numpy equivalent of Q[:, a], where a is an integer vector — turns out this trivial operation is not supported in TF). Anyway, I searched “dqn tensorflow”, clicked the first link, and found the core code. Here is an excerpt:
Notice how it's "browse" and "search" not just "I asked chatgpt". Notice how it made him notice a bug
Secondly, the article is from 2016, ChatGPT didn’t exist back then
He's just test driving LLMs, nothing more.
Nobody's asking this core question in podcasts. "How much and how exactly are you using LLMs in your daily flow?"
I'm guessing it's like actors not wanting to watch their own movies.
He's doing a capability check in this video (for the general audience, which is good of course), not attacking a hard problem in ML domain.
Despite this tweet: https://x.com/karpathy/status/1964020416139448359 , I've never seen him citing an LLM helped him out in ML work.
If he did not believe in the capability of these models, he would be doing something else with his time.
Truth be told, a whole lot of things are more important than copyright law.
A pretty terrible way, but... certainly one way.
It would be crazy to think the protections of IP laws and the ability to claim original work as your own and have a degree of control over it as an author fostered creativity in science and arts.
The human race has produced an extremely rich body of work long before US copyright law and the DMCA existed. Instead of creating new financial models which embrace freedoms while still ensuring incentives to create new art, we have contorted outdated financial models, various modes of rent-seeking and gatekeeping, to remain viable via artificial and arbitrary restriction of freedom.