An LLM-written line if I’ve ever seen one. Looks like the authors have their own brainrot to contend with.
An LLM-written line if I’ve ever seen one. Looks like the authors have their own brainrot to contend with.
> Many programming languages provide an exception facility that terminates subroutines without warning; although they usually provide a way to run cleanup code during the propagation of the exception (finally in Java and Python, unwind-protect in Common Lisp, dynamic-wind in Scheme, local variable destructors in C++), this facility tends to have problems of its own --- if cleanup code run from it raises an exception, one exception or the other, or both, will be lost, and the rest of the cleanup code at that level will fail to run.
I wasn't using Unicode em dashes at the time but TeX em dashes, but I did switch pretty early on.
You can easily find human writers employing em dashes and comma-separated lists over several centuries.
My guess is that comma-separated lists tend to be a feature of text that is attempting to be either comprehensively expository—listing all the possibilities, all the relevant factors, etc.—or persuasive—listing a compelling set of examples or other supporting arguments so that at least one of them is likely to convince the reader.
I find myself constantly editing my natural writing style to sound less like an AI so this discussion of em dash use is a sore spot. Personally I think many people overrate their ability to recognize AI-generated copy without a good feedback loop of their own false positives (or false negatives for that matter).
Computers unfortunately inherited a lot of this typewriter crap.
Related compromises included having only a single " character; shaping it so that it could serve as a diaeresis if overstruck; shaping some apostrophes so that they could serve as either left or write single quotes and also form a decent ! if overstruck with a .; alternatively, shaping apostrophe so that it could serve as an acute accent if overstruck, and providing a mirror-image left-quote character that doubled as a grave accent; and shaping the lowercase "l" as a viable digit "1", which more or less required the typewriter as a whole to use lining figures rather than the much nicer text figures.