I Am An AI Hater

I appreciate seeing this point of view represented. It's not one I personally hold, but it is one a LOT of my friends hold, and I think it's important that it be given a voice, even if -- perhaps especially if -- a lot of people disagree with it.

One of my friends sent me a delightful bastardization of the famous IBM quote:

A COMPUTER CAN NEVER FEEL SPITEFUL OR [PASSIONATE†]. THEREFORE A COMPUTER MUST NEVER CREATE ART.

Hate is an emotional word, and I suspect many people (myself included) may leap to take logical issue with an emotional position. But emotions are real, and human, and people absolutely have them about AI, and I think that's important to talk about and respect that fact.

† replaced with a slightly less salacious word than the original in consideration for politeness.

Picasso's Guernica was born of hate, his hate of war, of dehumanization for petty political ends. No computer will ever empathize with the senseless inhumanity of war to produce such a work. It must forever parrot.

To honor the "spirit" of OP's post:

I looked up Picasso's Guernica now out of curiosity. I don't understand what's so great about this artwork. Or why it would represent any of the things you mention. It just looks like deranged pencilwork. It also comes across as aggressively pretentious.

What makes that any better than some highly derivative AI generated rubbish I connect to about the same amount?

That a human made it to express their feelings.

What do I care? Can't even tell what feelings are supposedly being expressed there.

That goes for all art. It either stirs you or it doesn't. I find https://www.youtube.com/watch?v=9tjstsWoQiw to be one of the most beautiful pieces ever recorded, others can't listen to it and think it is bland and a terrible recording.

You can't argue about taste.

I don't think this is just taste. The painting was made in a specific historic context and commemorates the bombing of Guernica. Without knowing that context, it may be appreciated as a disembodied visual artifact, but that's not how art really works or ever worked. An influential artpiece usually states something relevant to the historic moment and intellectual Zeitgeist of the time.

You may like the music of Zombie by The Cranberries, but I'd say it belongs to the complete appreciation of it to know that it's about the Irish Troubles, and for that you need some background knowledge.

You may like to smoke weed to Bob Marley songs, but without knowing something about the African slave trade, you won't get the significance of tracks like 400 years.

For Guernica you also have to understand Picasso's fascination with primitive art, prehistoric cave art, children's drawings and abstraction, the historic moment when photography took over the role of realistic depiction, freeing painters to express themselves more in terms of emotional impressions and abstractions.

Yes, context is really important. But:JS Bach made a whole raft of music, and quite a large fraction of it was religiously inspired. In spite of that it is perfectly possible to appreciate it at a deep emotional level without that particular spiritual connection. This is the genius of art to me: that it opens up an emotional channel between two individual separated by time and space and manages to convey a feeling, as clear as day.

Take U2's October as a nice example. (You mentioned Zombie, incidentally one of my favorites, the anger and frustration in there never fail to hit me, I can't listen to it too often for that reason), superficially it is a very simple set of lyrics (8 lines I think) and an even simpler set of chords. And yet: it moves me. And I doubt any AI would have come up with it or even a close approximation if it wasn't part of the input. That's why I refuse to call AI generated stuff art. It's content, not art.