I Am An AI Hater

I appreciate seeing this point of view represented. It's not one I personally hold, but it is one a LOT of my friends hold, and I think it's important that it be given a voice, even if -- perhaps especially if -- a lot of people disagree with it.

One of my friends sent me a delightful bastardization of the famous IBM quote:

A COMPUTER CAN NEVER FEEL SPITEFUL OR [PASSIONATE†]. THEREFORE A COMPUTER MUST NEVER CREATE ART.

Hate is an emotional word, and I suspect many people (myself included) may leap to take logical issue with an emotional position. But emotions are real, and human, and people absolutely have them about AI, and I think that's important to talk about and respect that fact.

† replaced with a slightly less salacious word than the original in consideration for politeness.

Picasso's Guernica was born of hate, his hate of war, of dehumanization for petty political ends. No computer will ever empathize with the senseless inhumanity of war to produce such a work. It must forever parrot.

A human might generate a piece of media using AI (either via a slot machine spin or with more advanced workflows like ComfyUI) and once they deem it looks good enough for their purpose, they might display it to represent what they want it to represent. If Guernica was AI generated but still displayed by Picasso as a statement about war, it would still be art.

Tools do not dictate what art is and isn't, it is about the intent of the human using those tools. Image generators are not autonomously generating images, it is the human who is asking them for specific concepts and ideas. This is no different than performance art like a banana taped to a wall which requires no tools at all.

And let's not forget that people call "art" to more things than the popular masterpieces. A guy sold an invisible sculpture¹ clamming it was art. If things like this can be called art, whatever AI makes can be called art too.

1: https://news.artnet.com/art-world/italian-artist-auctioned-o...

"What is or isn't art" didn't simply become a topic because people like to philosophize about the meaning of words. Over the 20th century the art world took fascination with the subversive, transgressive, the postmodern, rejecting authority and standards of beauty that were deemed limiting and oppressive etc. One direct contributing component was photography. Skill of realistic depiction became deemphasized, with mass production, plastic etc., the focus became abstract ideas. It was also a protest against the system that brought the two world wars.

It was considered "anti-art" at the time, but basically took over the elite art world itself and the overall movement had huge impact on what is considered art today, on performance art, sculptures, architecture that looks intentionally upsetting etc.

It's not useful to try to think of the sides as "expansive definitionists" who consider pretty much anything art just because, and "restrictive definitionists" who only consider classic masterpieces art. The divide is much more specific and has intellectual foundation and history to it.

The same motivations that led to the expansive definition in the personally transgressive, radical and subversive sense today logically and coherently oppose the pictures and texts generated in huge centralized profit-oriented companies via mechanization. Presumably if AI was more of a distributed hacker-ethos-driven thing that shows the middle finger to Disney copyrightism, they may be pro-AI.