The new literalism plaguing today’s movies

Fun fact: movie sales, in terms of tickets sold, peaked in 2002. [1] All the 'box office records' since then are the result of charging way more to a continually plummeting audience size.

And this is highly relevant for things like this. People often argue that if movies were so bad then people would stop watching them, unaware that people actually have stopped watching them!

Even for individual movies. For all the men-in-spandex movies, the best selling movie (by tickets sold) in modern times is Titanic, 27 years ago.

[1] - https://www.the-numbers.com/market/

In my pod we've got the theory that more people in the US like anime than domestic pop culture. All the time my son and I have random encounters with people who like Goblin Slayer or Solo Leveling or Bocchi The Rock but never find anybody who is interested in new movies and TV shows. They say Spongebob Squarepants has good ratings -- of course it has good ratings because it is on all the time. People mistake seeing ads for a movie for anyone being interested in the movie.

Riffing on your SpongeBob comments.

It drives me crazy that all the streaming services seem to only push about 20 different choices from there catalog.

Each row of choices contains the same titles as the previous row. It makes no sense to me why should the service care at how popular any single title is as long as we are subscribed to their service.

They are hampering discoverability.

> It makes no sense to me why should the service care at how popular any single title is as long as we are subscribed to their service

I suspect that, like google's notorious killing of products with "only" tens of millions of users, this is a problem of internal structure. I bet that ranking of who gets into that row is a reflection of the social hierarchy between producers at Netflix whose compensation depends on it.

> They are hampering discoverability.

At some point Netflix really focused on this, then like google throwing away search, they lost it.

> At some point Netflix really focused on this, then like google throwing away search, they lost it.

I believe Netflix had a big catalog when people signing their rights thought it was not going to work. Once the model was proven everyone created their platform and stopped licensing to Netflix. Then Netflix had to get closer to making their own shows, and their "discoverability" features centered around hiding how few movies they have.

I’m sure this is the majority of it but it’s an incomplete analysis. Netflix is hampering discovery of even what they do have. I can go to a friends and they can pull up their Netflix with things I had no idea were currently on offer.

How many movie cards can they put on a screen at once...10, at most. How are they supposed to show you what is "on offer"? If their catalog were 10x smaller or 100x larger, they can only show so much.

I supposed they could email customers an excel document. But short of that, they have to make choices about what to do with the pixels on their page, and those choices represent filtering what they show you. How is "hampering discovery" different than what they are physically forced to do?