> Buzzy films from “Anora” to “The Substance” are undone by a relentless signposting of meaning and intent.
Can’t read the article because of paywall, but citing The Substance here from all possible movies is… weird? I agree with the title, and although there’s some literalism in The Substance, there’s also tons of subtext in it, so that’s a pretty terrible example. I’m guessing the rest of the article is extremely elitist, and no movie is good enough for the author except for obscure Eastern Europe movies from the 60s?