The most egregious example is the amount of Wilhelm Screams I've heard, absolutely crammed into media. It's a proclamation of, "I'm a sound editor, and I'm in on the joke!" but all it does is pull me out of the story completely.
Another sound editor example is the amount of ice clinking in glasses and sloshing sounds of drinks, as if the protagonist's long-neck beer bottle is a half-empty jug being jerked around.
Impressive stunts are virtually non-existent now. Instead, they drive a custom-built, tubular-frame car, swerving wildly, while the camera jerks around on a crane. Everything is reskinned using CGI, and the end result is the desired car being driven by an apparent maniac who chooses a profoundly sub-optimal path through traffic.
Writers have to point out their cleverness in order to announce to the audience how clever they're being. It reminds me of eye-rollingly clever newspaper headlines.
Everything has been turned up to 11, but in the lamest way possible.