The new literalism plaguing today’s movies

I actually have less than zero excuse. I was a 13 year old nerd when it came out - PRIME market.

But I think even then I was allergic to hype. Same reason I've never seen a vast number of well loved movies. Like Titanic. ... just a contrarian LOL.

We didn't have the money to go to movies. So I think the exposure to entire cohort of my fellow nerds having seen it three times over opening weekend, wearing the t-shirt every day, and talking endlessly about it for weeks made it easy for me to just nope out by the time it came out on video. That and I was really hitting the "girls and rock and roll" part of puberty and probably ran as far and as fast as I could from stuff that reminded me of being younger. Enough biography. LOL

I'd say, if you have a core memory at a zoo or a theme park, then you'll probably like it.

Like others have said, go and watch it. It holds up exceptionally well. It's just a plain good movie. The tension, acting, the special effects, quotable moments, the dinosaurs, everything.

Do it tonight and report back tomorrow please.

I'm not gonna promise that it'll change your life - don't want to over hype it. But I am genuinely curious what an adult's initial reaction to it would be after watching it for the first time.

The special effects on that movie are superb. On the vast majority of big early 90s blockbusters really. Just enough CGI to make the animatronics feel perfect. Nowadays I can't watch any movie, they all look like I'm watching a bunch of PS2 cutscenes spliced together.

I've managed to partially short-circuit my allergy to hype by telling myself that if I wait until after something is established, I successfully avoided the downsides of hype (buying into something site-unseen that might not even be that good) and intelligently waited for something to come out and get properly evaluated. Also I'm being unique and independent by getting into things well after everyone else.

This has given me a license to come back and check out beloved works whenever I realize I was just being contrarian and stubborn, which is a delight. Also still lets me say "I knew it!" when super popular things become less than beloved in retrospect.

Plus old stuff is often cheaper. It's often a fun adventure to go "Ok, let's see what all the fuss is about," even if it doesn't become an instant new favorite. Example: Twilight, while I wouldn't call it "good", is very funny and very fun to watch, especially if you get a mixed crowd of people that loved it at the time but recognize it's dumb, people that were allergic at the time but have since watched it and can acknowledge the fun, and new watchers.

That's all really insightful! I agree. I'm also much better now - not willfully disregarding things because just they're popular. I was a punk and indie rocker in the early 00's, so I was able to get that out of my system. (and boy did we) Now, my tastes are just generally extremely non-mainstream. So I avoid it by default.

It's pretty straightforward really - for example I saw Fruitvale Station as a movie fan. I thought it was great and so Coogler was on my radar. I thought the Rocky franchise was ripe for a reboot, so when I heard he was doing it I was in. And the movie was fine. As was Black Panther (considering Marvel flicks for what they are, no judgment either way). So OF COURSE I was downright excited for Sinners. With no assumption that it had to be the best thing ever - and I had a blast.

Another good example is that I'm currently watching the John Wick series for the first time. I didn't know anything about them, but had heard them positively referenced on Kill James Bond. Well, if you meet it where it is and realize it's just "what if you made a comic book into a movie?" and don't expect more of it, you can appreciate it for whether it does that well or not.

Jurassic Park is 2h7min.

9min of animatronic dinosaurs

6min of CGI dinosaurs.

I constantly wonder why no one's talking about the fact that almost every movie with cgi visual effects looks awful these days? I was on a plane recently. One person in front of me had Wicked on, another the live-action Snow White, another some recent Marvel movie. Each slid completely into the uncanny valley in their own way. It was really eye opening.

The era you're talking about the balance was spot on. I'd say there was a golden age of effects from Star Wars through to Terminator 2. You're already suspending your disbelief and letting the filmmaker take you on a ride. Who cares if it's hyper-realistic? (or, in the case of contemporary movies, trying to be hyper-realistic and failing to the point that it makes it even more obvious.)

My mid 30s brother in law is obsessed with graphics and framerates in video games. He optimises his games and gaming hardware selections primarily based on graphics fidelity.

He used to get the latest version of the fifa game every year, because the "graphics were so much better in this one", he went into debt for an xbox series X because of the better graphics that it offered, now he's recently built a custom gaming PC, primarily because he could eke better (you guessed it) graphics out of the games he plays.

Every single time I would tell him IDGAF about graphics, and I'll probably keep my XSX until the proverbial wheels come off before I upgrade. For me all I need is acceptable smoothness, decent-ish performance, but most importantly an enjoyable gameplay experience and (primarily for me) a very strong narrative focus.

I stopped trying to dunk on his enthusiasm (I was like that when I was 15), and now I'm just happy he's happy. Although he probably won't be happy, because the next-gen gpus are already just over the horizon, and by the time he's built his next gaming PC the next-next-gen GPUs will be just over the horizon...

Maybe some people are like that with movies? Maybe they select based on flashiness and special effects, and when the effects are obviously visible then it's bad by default? Maybe comments like "wow, this movie is certainly visually striking" in a focus group is seen as a Good Thing which makes the producers optimise for that when they make movies?

The use of color is atrocious in new movies. It's the era of high contrast and contrasting colors. They depend on it to make something look 'expensive' and 'premium' even though to me it looks really bad. And played out. Give me washed out greens like My Neighbor Totoro or yes, Jurassic Park, anyday.

It's a self-reinforcing thing. New movies want to look 'new', no matter if 'new' is bad.