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122 points colinprince | 1 comments | | HN request time: 0.207s | source
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sharkjacobs ◴[] No.44506614[source]
What's the advantage of seeing an original piece of art over a serviceable replica? Especially in the case where the "original" is a print, one of dozens.

Obviously "serviceable" is doing a lot of heavy lifting here, a replica might simply not be very good, might not capture some vital characteristic of the thing which makes it a great work.

But otherwise, it's basically that the knowledge of how important and significant this work is puts the viewer in a more receptive frame of mind, right?

To be clear, that's not nothing. I of course know firsthand how much that affects the impact of a painting, museums and galleries care a lot about how they display their collection. But is that it?

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treetalker ◴[] No.44506682[source]
As you say, some works seem to lose something in any reproduction. La Giaconda (Mona Lisa) is a great example: any reproduction you may have seen in books or online hasn't captured the rainbow of background color in the original, or the sensation of viewing a living person sitting for a portrait when viewed at a few paces in the Louvre.
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guappa ◴[] No.44506979[source]
The original one is behind an extremely thick layer of glass that completely distorts the colours.
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isolli ◴[] No.44507037[source]
It is now, but it used not to be...
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AlanYx ◴[] No.44509704[source]
The Mona Lisa has been behind a thick bulletproof layer of glass since 1956.

I'm kind of surprised actually that they haven't found a better way to exhibit it in close to 70 years. But the protective layer is a big part of why it's underwhelming in person.

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1. isolli ◴[] No.44512666[source]
You are correct. I was convinced I had seen her unprotected in my childhood. Memories can be deceptive...