I never understood the “grain = realism” thing. my real eyes don’t have grain. I do appreciate the role of grain as an artistic tool though, so this is still cool tech
I never understood the “grain = realism” thing. my real eyes don’t have grain. I do appreciate the role of grain as an artistic tool though, so this is still cool tech
They definitely do at night when it's dark out. There's a kind of "sparkling" or "static" that comes in faint light.
Fortunately, our eyes have way better sensitivity than cameras. But the "realism" just comes from how it was captured using the technology of the day. It's no different from phonograph hiss or the way a CRT signal blurs. The idea is to be "real" to the technology that the filmmaker used, and the way they knew their movie would be seen.
It's the same way Van Gogh's brush strokes were real to his paintings. You wouldn't want his oil paintings sanded down to become flat. It's the reality of the original medium. And so even when we have a digital print of the film, we want to retain as much of the reality of the original as we can.
It doesn't help that a lot of great movies are older thus those limitations of older technology become subconsciously associated with quality.
I don't like it at all. But someone must, or the TV manufacturers wouldn't do it.
Part of me thinks that it's only the people who know what "frame rate" means who prefer low frame rates, and a majority of the general public actually prefers high frame rates but lacks the terminology or knowledge to express this desire.