The Death of the Middle-Class Musician

> I heard one answer more than any other: the government should introduce universal basic income. This would indeed afford artists the security to create art, but it’s also extremely fanciful.

Until we start viewing "fanciful" ideas as realistic, our problems will persist. This article is another in the long series of observations of seemingly distinct problems which are actually facets of a larger problem, namely that overall economic inequality is way too high. It's not just that musicians, or actors, or grocery store baggers, or taxi drivers, or whatever, can't make a living, it's that the set of things you can do to make a living is narrowing more and more. Broad-based solutions like basic income, wealth taxes, breaking up large market players, etc., will do far more for us than attempting piecemeal tweaks to this or that industry.

If you want to talk about the root of problems, it comes down to preferences. Income inequality in musicians? People prefer some musicians and songs over others. UBI and taxation isn't going to meaningfully change the income inequality between the median and top earners in entertainment fields due to social dynamics. Guess what the primary driver of the housing shortage is? Preference for larger homes and "better" locations. There are enough housing units nationally, but their distribution and charateristics don't match the preferences. You might be thinking about NIMBY, but guess what that is? The preferences of the people already there. Solutions like UBI or just building more skip a logical step of evaluating the true underlying causes and presume them instead. To solve a problem we must first understand it.

The inequality of musicians is not about what they earn once they make a living making music. Professional instrumentalists, for example, tend to be paid fairly equally (though not necessarily well).

It's about who gets to become a musician, because practicing the skill takes a lot of resources, and it seems the middle class can no longer afford that.

>> It's about who gets to become a musician, because practicing the skill takes a lot of resources, and it seems the middle class can no longer afford that.

Most of the middle class has lots of time to practice (just do that instead of watching TikTok). Practice can help you become a better musician, but cannot make you great - innate talent is needed for that. Being great is also no guarantee of success - luck and / or other forms of skill are needed (marketing capability, etc).

This is also only on the performance side of things. The real limiting factor in music for the most part is writing songs that people want to hear. If you can do that you will be successful almost immediately because supply and demand is so out of balance here and distribution is trivial.

This seems extremely overly reductive. It's not just "time to practice".

It's also about having access to equipment that is available, clean, and in proper working order.

And it's about having access to educators who can teach you what you are doing right or wrong. And those educators having the time to be able to actually do so.

And it's about having the ability to attend performances or competitions so that you can learn to actually perform and to receive impartial critique to improve. That doesn't just mean having the option of attending these events but also being able to afford the fees associated with the events as well as being able to afford transportation (whether that's getting there yourself or having family being able to take time off from work to transport you there and back).

You don't need every one of these to be able to succeed but each one of these legs you take away is one less leg the next generation of lower and middle class musicians have to stand on.

The focus here again seems to be on the plight of the Orchestral musician / related. While this might represent a large portion of mind share in some groups it is tiny from an economic perspective when compared to mainstream recording acts. The primary instruments driving this revenue are as follows: 1) voice 2) drums 3) bass 4) guitar 5) keyboard. None of these things are expensive or hard to maintain. You don't even need to be particularly good at any of these things other than voice.

No this is just in general. Voice is cheap but it's easy to destroy. So many artists get close to or just past breaking out into success and torch their voice in the process, killing their careers. Likewise percussionists risk their hearing if they don't know better.

And in general, musicians are rarely made by just practicing in one's room. Even your big successful musicians spend their middle and high schools in band classes where they learn a substantial portion of their technical skills. They may not be playing the same instruments that they become successful on but school concert, jazz, and marching bands are really the breeding grounds for musicians who eventually go out and pursue their passions in other genres. Likewise that's generally where they meet their band-mates or colleagues who spur them on to greater things.