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300 points pseudolus | 1 comments | | HN request time: 0.202s | source
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BrenBarn ◴[] No.44410806[source]
> I heard one answer more than any other: the government should introduce universal basic income. This would indeed afford artists the security to create art, but it’s also extremely fanciful.

Until we start viewing "fanciful" ideas as realistic, our problems will persist. This article is another in the long series of observations of seemingly distinct problems which are actually facets of a larger problem, namely that overall economic inequality is way too high. It's not just that musicians, or actors, or grocery store baggers, or taxi drivers, or whatever, can't make a living, it's that the set of things you can do to make a living is narrowing more and more. Broad-based solutions like basic income, wealth taxes, breaking up large market players, etc., will do far more for us than attempting piecemeal tweaks to this or that industry.

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giantg2 ◴[] No.44412810[source]
If you want to talk about the root of problems, it comes down to preferences. Income inequality in musicians? People prefer some musicians and songs over others. UBI and taxation isn't going to meaningfully change the income inequality between the median and top earners in entertainment fields due to social dynamics. Guess what the primary driver of the housing shortage is? Preference for larger homes and "better" locations. There are enough housing units nationally, but their distribution and charateristics don't match the preferences. You might be thinking about NIMBY, but guess what that is? The preferences of the people already there. Solutions like UBI or just building more skip a logical step of evaluating the true underlying causes and presume them instead. To solve a problem we must first understand it.
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tomgp ◴[] No.44414070[source]
In Britain it’s noticeable that as unemployment benefit and social housing has been stripped back the proportion of people from working class backgrounds with careers in the arts has declined. The most visible example of this is probably actors; pretty much all the current generation of British actors went to public school and were able to support themselves via family wealth as they became established. This wasn’t the case for the generation coming through in the 70s and 80s. The underlying cause is that if you can’t subsist as you learn your craft you can’t learn your craft, I don’t think this is mysterious.

This doesn’t just apply to the arts, if all junior dev roles are stripped away by llm’s where do the talented developers of tomorrow come from? Those who can learn the craft on their own time, those with independent wealth.

At a societal level there is a huge amount of potential talent being left on the table, and imo redistributive policies are the obvious fix. In think this is really important both from a mortal point of view and an economically pragmatic one.

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1. ralferoo ◴[] No.44415440[source]
The real question then is why the "professionals" in these fields are able to command such massive incomes, and why people are prepared to pay multiple hundreds to watch their favourite singer but won't drop into a free gig at an open mic night. Why some footballers can can earn millions per week, and the lower tiers of the sport are paid so little. Why top actors can earn more from one film than even most doctors or lawyers will earn in their lifetime, while other decent actors spend their entire careers working as an extra, etc...

Clearly everyone can see that the system is "unfair" in almost every industry, so the question is why does everybody perpetuate this system. It seems to be that by and large, people are prepared to pay more to get more of whatever they consider "the best" and they care much less about everything else in that space.

But shift the focus away from people and to products - why are so many people willing to pay over $1000 for the latest iPhone, when they already have the previous year's phone, and a $100 phone probably does 90% of what they need.

Again, it's because people want the best they can afford, and so the market increases the price to the point that maximises the product of price and people prepared to pay that price. Sadly, for the aspiring musician that hasn't been scouted yet, the price is low and even then not many people are prepared to pay it. This is why we have record labels who scout for talent, front them some money up front, handle publicity and building an audience, hoping that one of their 100+ artists might make enough that they can pay for the rest and still make a profit.