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88 points stephenhandley | 4 comments | | HN request time: 0.603s | source
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nailer ◴[] No.44001693[source]
Just in case you scrolled past it, the live demo was in the github website link:

https://idroppedmyphonethescreencracked.tumblr.com/

replies(2): >>44001888 #>>44006607 #
1. hdjrudni ◴[] No.44001888[source]
THese all sound awful. I don't get it.
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2. promiseofbeans ◴[] No.44001942[source]
I think the idea is that you can use this to build synths that you then control woth midi, etc
3. DrSiemer ◴[] No.44002288[source]
Would this also work for adding effects to existing audio? A simple reverb and pitch bend on a recorded vocal would make me a lot more excited than experimental synth effects.
4. stephenhandley ◴[] No.44003268[source]
You didn't even like this one!? https://idroppedmyphonethescreencracked.tumblr.com/post/9350...

That said, guessing a bunch of those are meant to be concise examples.

For what its worth my quick take on a lot of the text-based sound coding environments [1] is that they provide a relatively quick way to approach creating audio programmatically differently compared to a more traditional spatial / grid-based daw.

One nice thing about Cracked is that you can treat it as an audio input in Ableton, Logic, etc. and so you could use it to generate a sound to sample / process further in a daw arrangement. I had stumbled across it originally from the author's Wikipedia page which mentions that he uses it to create longer albums / pieces https://en.wikipedia.org/wiki/Bill_Orcutt

Interview with him about it https://www.thewire.co.uk/news/41540/bill-orcutt-releases-op...

[1] https://tidalcycles.org/ https://sonic-pi.net/ https://chuck.stanford.edu/ https://supercollider.github.io/