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257 points delaugust | 1 comments | | HN request time: 0s | source
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rglover ◴[] No.43789059[source]
This is the paradox of the post social media world. I see a lot of mid-tier talent—in all sorts of disciplines/industries—being elevated, while what I personally consider the "greats" get a fraction of the attention (e.g., this designer who I love and have bought stuff from but seems to be a relative unknown [1]).

The book "Do the Work" explained it well: "The amateur tweets. The pro works." People who fit into the Shell Silverstein "I'm so good I don't have to brag" bucket aren't as visible because they're working, not talking about working.

Something fairly consistent I've observed: the popular people you see tweeting and on every podcast are likely not very good at what they're popular for.

Sometimes there's overlap, but it's the exception, not the rule.

[1] https://xtian.design/

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LambdaComplex ◴[] No.43791019[source]
I like live music. I've seen plenty of famous bands play before.

But the best live band I've ever seen was an almost completely unknown local band from Florida (that almost never played outside that state, as far as I'm aware).

I'm willing to believe that there's an even better band out there somewhere that's never even played outside of a garage.

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1. adfm ◴[] No.43798647[source]
Fred Armisen wrote the forward to Jason Lamb’s “NoMeansNo: From Obscurity to Oblivion: An Oral History” (PM Press 2024)

https://pmpress.org/index.php?l=product_detail&p=1505