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553 points bookofjoe | 1 comments | | HN request time: 0s | source
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adzm ◴[] No.43654878[source]
Adobe is the one major company trying to be ethical with its AI training data and no one seems to even care. The AI features in Photoshop are the best around in my experience and come in handy constantly for all sorts of touchup work.

Anyway I don't really think they deserve a lot of the hate they get, but I do hope this encourages development of viable alternatives to their products. Photoshop is still pretty much peerless. Illustrator has a ton of competitors catching up. After Effects and Premiere for video editing are getting overtaken by Davinci Resolve -- though for motion graphics it is still hard to beat After Effects. Though I do love that Adobe simply uses JavaScript for its expression and scripting language.

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f33d5173 ◴[] No.43655907[source]
Adobe isn't trying to be ethical, they are trying to be more legally compliant, because they see that as a market opportunity. Otoh, artists complain about legal compliance of AIs not because that is what they care about, but because they see that as their only possible redress against a phenomenon they find distasteful. A legal reality where you can only train AI on content you've licensed would be the worst for everybody bar massive companies, legacy artists included.
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Riverheart ◴[] No.43658253[source]
“A legal reality where you can only train AI on content you've licensed would be the worst for everybody bar massive companies, legacy artists included.”

Care to elaborate?

Also, saying artists only concern themselves with the legality of art used in AI because of distaste when there are legal cases where their art has been appropriated seems like a bold position to take.

It’s a practice founded on scooping everything up without care for origin or attribution and it’s not like it’s a transparent process. There are people that literally go out of their way to let artists know they’re training on their art and taunt them about it online. Is it unusual they would assume bad faith from those purporting to train their AI legally when participation up till now has either been involuntary or opt out? Rolling out AI features when your customers are artists is tone deaf at best and trolling at worst.

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Workaccount2 ◴[] No.43658703[source]
There is no "scooping up", the models aren't massive archives of copied art. People either don't understand how these models work or they purposely misrepresent it (or purposely refuse to understand it).

Showing the model an picture doesn't create a copy of that picture in it's "brain". It moves a bunch of vectors around that captures an "essence" of what the image is. The next image shown from a totally different artist with a totally different style may well move around many of those same vectors again. But suffice to say, there is no copy of the picture anywhere inside of it.

This also why these models hallucinate so much, they are not drawing from a bank of copies, they are working off of a fuzzy memory.

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TeMPOraL ◴[] No.43658755{4}[source]
> People either don't understand how these models work or they purposely misrepresent it (or purposely refuse to understand it).

Not only that, they also assume or pretend that this is obviously violating copyright, when in fact this is a) not clear, and b) pending determination by courts and legislators around the world.

FWIW, I agree with your perspective on training, but I also accept that artists have legitimate moral grounds to complain and try to fight it - so I don't really like to argue about this with them; my pet peeve is on the LLM side of things, where the loudest arguments come from people who are envious and feel entitled, even though they have no personal stake in this.

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1. Root_Denied ◴[] No.43659263{5}[source]
>Not only that, they also assume or pretend that this is obviously violating copyright, when in fact this is a) not clear, and b) pending determination by courts and legislators around the world.

Legislation always takes time to catch up with tech, that's not new.

The question I'm see being put forth from those with legal and IP backgrounds is about inputs vs. outputs, as in "if you didn't have access to X (which has some form of legal IP protection) as an input, would you be able to get the output of a working model?" The comparison here is with manufacturing where you have assembly of parts made by others into some final product and you would be buying those inputs to create your product output.

The cost of purchasing the required inputs is not being done for AI, which pretty solidly puts AI trained on copyrighted materials in hot water. The fact that it's an imperfect analogy and doesn't really capture the way software development works is irrelevant if the courts end up agreeing with something they can understand as a comparison.

All that being said I don't think the legality is under consideration for any companies building a model - the profit margins are too high to care for now, and catching them at it is potentially difficult.

There's also a tendency for AI advocates to try and say that AI/LLM's are "special" in some way, and to compare their development process to someone "learning" the style of art (or whatever input) that they then internalize and develop into their own style. Personally I think that argument gives a lot of assumed agency to these models that they don't actually have, and weakens the overall legal case.