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mlsu ◴[] No.43575950[source]
I was really hoping that the conversation around AI art would at least be partially centered on the perhaps now dated "2008 pirate party" idea that intellectual property, the royalty system, the draconian copyright laws that we have today are deeply silly, rooted in a fiction, and used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation.

Unfortunately, it's just the opposite. It seems most people have fully assimilated the idea that information itself must be entirely subsumed into an oppressive, proprietary, commercial apparatus. That Disney Corp can prevent you from viewing some collection of pixels, because THEY own it, and they know better than you do about the culture and communication that you are and are not allowed to experience.

It's just baffling. If they could, Disney would scan your brain to charge you a nickel every time you thought of Mickey Mouse.

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kokanee ◴[] No.43576095[source]
The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people. The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

These legal protections are needed by the people. To the Pirate Party's credit, undoing corporate personhood would be a good first step, so that we can focus on enforcing protections for the works of humans. Still, attributing those works to CEOs instead of corporations wouldn't result in much change.

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dcow ◴[] No.43577068[source]
How do restaurants work, then? You can’t copyright a recipe. Instructions can’t generally be copyrighted, otherwise someone would own the fastest route from A to B and charge every person who used it. The whole idea of intellectual property gets really weird when you try to pinpoint what exactly is being owned.

I do not agree with your conjecture that big corps would win by default. Ask why would people need protection from having their work stolen when the only ones welding weaponized copyright are the corporations. People need the freedom to wield culture without restriction, not protection from someone having the same idea as them and manifesting it.

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api ◴[] No.43577372[source]
A restaurant is a small manufacturing facility that produces a physical product. It’s not the same at all.
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dcow ◴[] No.43577485[source]
An artist is a small manufacturing facility that produces a physical (canvas, print, mp3, etc) product, no?

What is different about the production of Micky Mouse cartoons? Why is it normal for industries to compete in manufacturing of physical product, but as soon as you can apply copyright, now you exclusively have rights to control anything that produces a similar result?

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api ◴[] No.43577501[source]
Let’s say I write a book or record an album and there is no copyright. How do I get paid?

Musicians I suppose can tour, which is grueling but it’s something. Authors, programmers, actors, game studios, anything that’s not performed live would immediately become non-viable as a career or a business.

Large corporations would make money of course, by offering all you can eat streaming feeds of everything for a monthly fee. The creators get nothing.

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autoexec ◴[] No.43578132[source]
>. Let’s say I write a book or record an album and there is no copyright. How do I get paid?

I've purchased books that were in the public domain and without copyright. I've paid for albums I could already legally listen to for free. I've paid for games and movies that were free to play and watch. I'm far from the only person who has or would.

The people who pirate the most are also the ones who spend the most money on the things they pirate. They are hardcore fans. They want official merch and special boxed sets. People want to give the creators of the things they love their money and often feel conflicted about having to give their cash to a far less worthy corporation in the process. There are people who love music but refuse to support the RIAA by buying albums.

There are proven ways to make profit in other ways like "pay what you want" or even "fund in advance" crowdsourced models. If copyright went away or, more ideally, were limited to a much shorter period of time (say 8-10 years) artists would continue to find fans and make money.

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1. api ◴[] No.43580821[source]
You’re talking about individual piracy. I’m talking about huge scale corporate piracy, which is already happening (laundered through AI algorithms and other ways) and would happen a lot more if copyright vanished.

Part of what muddies the water here too is that copyright lasts too long. Companies like Disney lobbied for this successfully. It should have a time horizon of maybe 25 years, 50 at most.

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2. dcow ◴[] No.43583243[source]
Well technically it wouldn’t be piracy once copyright banished. It’d be remixing, appropriation, derivative, etc., all legal.

So make copyright like patents. That’s what a lot of the copyleft movement has been arguing for forever. Make a copyright holder demonstrate their idea is unique, manifests into a tangible output, and if so protect the creator for a limited time. Everyone is free to use the work in their own provided they pay royalties at a reasonable rate for the duration of the patent.

But the status quo now with basically perpetual copyright controlled by large media conglomerates 100% stifles culture and is a net negative on society. It’s not the right to copy that needs defending, it’s the first right of a briefly protected enterprise, a reward to the creator, that needs to be protected. Copyright is like trying to cure a cough by sewing someone’s mouth shut.