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djoldman ◴[] No.43577414[source]
I don't condone or endorse breaking any laws.

That said, trademark laws like life of the author + 95 years are absolutely absurd. The ONLY reason to have any law prohibiting unlicensed copying of intangible property is to incentivize the creation of intangible property. The reasoning being that if you don't allow people to exclude 3rd party copying, then the primary party will assumedly not receive compensation for their creation and they'll never create.

Even in the case where the above is assumed true, the length of time that a protection should be afforded should be no more than the length of time necessary to ensure that creators create.

There are approximately zero people who decide they'll create something if they're protected for 95 years after their death but won't if it's 94 years. I wouldn't be surprised if it was the same for 1 year past death.

For that matter, this argument extends to other criminal penalties, but that's a whole other subject.

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jl6 ◴[] No.43579150[source]
> There are approximately zero people who decide they'll create something if they're protected for 95 years after their death but won't if it's 94 years.

I’m sure you’re right for individual authors who are driven by a creative spark, but for, say, movies made by large studios, the length of copyright is directly tied to the value of the movie as an asset.

If that asset generates revenue for 120 years, then it’s slightly more valuable than an asset that generates revenue for 119 years, and considerably more valuable than an asset that generates revenue for 20 years.

The value of the asset is in turn directly linked to how much the studio is willing to pay for that asset. They will invest more money in a film they can milk for 120 years than one that goes public domain after 20.

Would studios be willing to invest $200m+ in movie projects if their revenue was curtailed by a shorter copyright term? I don’t know. Probably yes, if we were talking about 120->70. But 120->20? Maybe not.

A dramatic shortening of copyright terms is something of a referendum on whether we want big-budget IP to exist.

In a world of 20 year copyright, we would probably still have the LOTR books, but we probably wouldn’t have the LOTR movies.

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benwad ◴[] No.43579432[source]
The Fellowship of the Ring, the first of Peter Jackson's LOTR movies released in 2001, made $887 million in its original theatrical run (on a $93 million budget). It would absolutely still have been made if copyright was only 20 years. And now it would be in the public domain!
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jl6 ◴[] No.43579676[source]
The success that we can now measure through hindsight wasn’t assured at the time of greenlighting the film. They took a huge gamble:

https://variety.com/2021/film/news/lord-of-the-rings-peter-j...

It would have been an even bigger gamble if they weren’t able to bank on any long term revenue (I’m certain Netflix continues to pay for the rights to stream the trilogy after 2021).

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barrkel ◴[] No.43579702[source]
This argument works against you. The probability of a long tail of revenue is even less likely than a major hit, so it necessarily has less weight in any decision to swing for the fences.

Producers don't invest in movies for hypothetical revenues in 20 years time. If it doesn't pay off soon after release, it's written off as a loss. Revenues in 100 years time are completely irrelevant.

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1. jl6 ◴[] No.43580666[source]
Actually I think long tail revenue is quite well correlated with a property being a hit. Netflix paid $500m for the rights to Seinfeld 20 years after the show ended. Star Wars is still huge, nearly 50 years after the release of the original. Disney in general has ruthlessly mined its back catalog; they just printed another $700m from a Lion King prequel, whose value lay largely in the good will still hanging over from the original, which they still own, and which is still absolutely a valuable asset despite being 30 years old. Back catalogs are huge deals. Amazon paid $8bn for MGM to boost its Prime Video content library. Streaming has opened up long tail revenue opportunities beyond the box office that never existed before.
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2. barrkel ◴[] No.43586716[source]
Are the people better off because of these properties? What about the counterfactual, where there are more Star Wars stories by more varied producers?

That they are valuable speaks to market inefficiency. Where is the consumer surplus?

Seinfeld wasn't greenlit due to Netflix streaming rights. Better Lion King adaptations might have been made instead.