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An image of an archeologist adventurer who wears a hat and uses a bullwhip

(theaiunderwriter.substack.com)
1503 points participant3 | 2 comments | 03 Apr 25 17:55 UTC | HN request time: 0s | source
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mlsu ◴[03 Apr 25 21:55 UTC] No.43575950[source]▶
I was really hoping that the conversation around AI art would at least be partially centered on the perhaps now dated "2008 pirate party" idea that intellectual property, the royalty system, the draconian copyright laws that we have today are deeply silly, rooted in a fiction, and used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation.

Unfortunately, it's just the opposite. It seems most people have fully assimilated the idea that information itself must be entirely subsumed into an oppressive, proprietary, commercial apparatus. That Disney Corp can prevent you from viewing some collection of pixels, because THEY own it, and they know better than you do about the culture and communication that you are and are not allowed to experience.

It's just baffling. If they could, Disney would scan your brain to charge you a nickel every time you thought of Mickey Mouse.

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kokanee ◴[03 Apr 25 22:12 UTC] No.43576095[source]▶
The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people. The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

These legal protections are needed by the people. To the Pirate Party's credit, undoing corporate personhood would be a good first step, so that we can focus on enforcing protections for the works of humans. Still, attributing those works to CEOs instead of corporations wouldn't result in much change.

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pixl97 ◴[03 Apr 25 22:22 UTC] No.43576182[source]▶
>The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it.

Wait, I'm still trying to figure out the difference between your imaginary world and the world we live in now?

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1. dragontamer ◴[03 Apr 25 22:46 UTC] No.43576377[source]▶
Thor would have red hair in the imaginary world, rather than being a Blonde man which was made to be a somewhat distinguished comic book character.

The Disney or otherwise copyrighted versions allow for unique spins on these old characters to be re-copyrighted. This Thor from Disney/Marvel is distinguished from Thor from God of War.

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2. runarberg ◴[04 Apr 25 00:32 UTC] No.43577094[source]▶
> “Before starting the series, we stuffed ourselves to the gills with Norse mythology, as well as almost every other type of mythology – we love it all! But you’ve got to remember that these are legendary tales – myths – and no two versions are ever exactly the same. We changed a lot of things – for example, in most of the myths Thor has red hair, Odin has one eye, etc. But we preferred doing our own version.”

https://scifi.stackexchange.com/questions/54400/why-did-earl...

Huh, did not know that. As an Icelandic person I knew about Þór the Norse god much earlier than Thor the marvel character. I never really pictured his hair color, nor knew he had a specific hair color in the mythology. I actually always pictured him with a beard though. What mostly mattered though was his characteristics. His ill temper and drinking habits, and the fact that he was not a nice person, nor a hero, but rather a guy who starts shit that gets everyone else in trouble, he also wins every fight except one (he looses one against Elli [the personification of old age]). The little I’ve seen of him in the Marvel movies, he keeps almost none of these characteristics.

EDIT: My favorite story of him is the depiction of the fall of Ásgarður, where Loki and some Jötun are about to use the gods vanity against them and con them out of stuff they cannot actually pay for a wall around Ásgarður. Þór, being the way he is, cannot be around a Jötun without fighting and killing him. So rather than paying up (which the gods cannot do) Þór is sent to see this Jötun, knowing very well that he will be murdered. This betrayal is marked as the beginning of the end in Völuspá (verse 26).