> “We did massive testing with the hard drives, and everything was great, and then we had an experience where we shot, and when we sent in the material, they couldn’t get the information off the hard drive,” said Cameron. “So the studio went ballistic and was like, ‘There’s just no way we can we can let you guys do this.’”
> The compromise was the production would record to hard drives as well as SRW tape. And unlike today, verifying the digital footage was equally cumbersome and tension-filled.
> “We recorded everything two or three times on decks that we carried with us,” said Beebe. “So we were backing up, two or three times.”
https://www.indiewire.com/features/interviews/michael-mann-c...