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256 points MattSayar | 1 comments | | HN request time: 0.2s | source
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fastball ◴[] No.43541881[source]
The tech is cool, but it seems like the main result of having such a pipeline is that Netflix has been able to produce an incredible amount of low-effort schlock that mostly lacks soul and artistic merit.
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anigbrowl ◴[] No.43542285[source]
Having worked on both quality and junk film productions I assure you the editing workflow is not the determinant of artistic quality. No film or TV program has ever been improved by the editor(s) trying to build their own NAS or hack a version control system together.
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fastball ◴[] No.43542362[source]
It's not just editing though, right? This whole system makes it more viable to just film tons of b-roll quality footage without worrying about the end result. As they say, necessity is the mother of invention, and this system makes it much less necessary to worry about what you're filming and why.
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anigbrowl ◴[] No.43542545[source]
I mean you could say the same thing about video cameras making it too easy to shoot footage compared to film.
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fastball ◴[] No.43542665[source]
Yes, and it is arguably true, right? That doesn't mean digital shouldn't exist, but everything is a balance. The quality and effort put into the "average" movie has almost certainly gone down over the decades since the normalization of digital cameras.

If our ability (as a society or as individuals) to filter out the slop from the rest increases in lock-step, this is a non-issue. But it seems that this not what has happened, and instead we are inundated with mind-numbing content that absorbs our time and does little to impact us in any positive way.

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1. anigbrowl ◴[] No.43542787[source]
If you think something is bad, all I can advise is that you stop watching it. Of course if it's easier/cheaper to make content, more content will be made, and there will be proportionately more crap around. My point is that quality is not specifically a function of the technology or workflow.