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256 points MattSayar | 3 comments | | HN request time: 0.402s | source
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_m_p ◴[] No.43542301[source]
I was reading about the cinematography of _Collateral_, possibly the first large budget feature film to be shot digitally, and one of the issues back in 2004 when it was made was the amount of storage required for digital video and the risk of not being able to retrieve the images from the data stores:

> “We did massive testing with the hard drives, and everything was great, and then we had an experience where we shot, and when we sent in the material, they couldn’t get the information off the hard drive,” said Cameron. “So the studio went ballistic and was like, ‘There’s just no way we can we can let you guys do this.’”

> The compromise was the production would record to hard drives as well as SRW tape. And unlike today, verifying the digital footage was equally cumbersome and tension-filled.

> “We recorded everything two or three times on decks that we carried with us,” said Beebe. “So we were backing up, two or three times.”

https://www.indiewire.com/features/interviews/michael-mann-c...

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progbits ◴[] No.43542366[source]
> we were backing up, two or three times

So they just rediscovered what IT world knew for decades, or what am I missing?

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1. wodenokoto ◴[] No.43542413[source]
That you don’t film on two or three wheels at a time
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2. progbits ◴[] No.43542954[source]
I mean they should, film can get damaged too. The reason they don't are probably because it would be too expensive, bulky and film is single-use so also wasteful.

Even hobby level DSLRs have two card slots with option to write to both.

Professional cameras have tons of gear strapped to them, a second drive or some link to external storage is a no-brainer.

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3. ◴[] No.43553524[source]