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    David Lynch has died

    (variety.com)
    1190 points wut42 | 20 comments | 16 Jan 25 18:20 UTC | HN request time: 0.803s | source | bottom
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    handfuloflight ◴[16 Jan 25 19:04 UTC] No.42729452[source]▶
    "My childhood was elegant homes, tree-lined streets, the milkman, building backyard forts, droning airplanes, blue skies, picket fences, green grass, cherry trees. Middle America as it's supposed to be. But on the cherry tree there's this pitch oozing out – some black, some yellow, and millions of red ants crawling all over it. I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath. Because I grew up in a perfect world, other things were a contrast."

    David Lynch

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    nathcd ◴[16 Jan 25 19:26 UTC] No.42729726[source]▶
    "What a heavy load Einstein must've had. Fuckin' morons, everywhere."

    David Lynch

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    sk11001 ◴[16 Jan 25 19:32 UTC] No.42729798[source]▶
    I have never seen a single one of his movies but I love watching interviews with him, he had an amazing presence and so much energy.
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    1. Triphibian ◴[16 Jan 25 20:19 UTC] No.42730372[source]▶
    I'm gonna say start with Blue Velvet. It still has the backbone of a classical noir, but it is completely run through with the character of his work. Mulholland Drive reflects the apex of his vision and talents, but there's a learning curve to appreciating it.
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    2. signalToNose ◴[16 Jan 25 20:46 UTC] No.42730676[source]▶
    Wild at heart. Very approachable, but gory and brutal. The angst seep trough
    3. mortenjorck ◴[16 Jan 25 20:59 UTC] No.42730838[source]▶
    On the other end, save Inland Empire for after you've seen a lot of his filmography and are in the mood for a challenge.

    I wouldn't call it his best work, but it is Lynch at his most singular and uncompromising.

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    4. adamc ◴[16 Jan 25 21:08 UTC] No.42730932[source]▶
    Nooooo, not Blue Velvet. That's on my "never watch again" list, because the people in it are so creepy I wanted to just go buy a million guns afterwards.
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    5. ljm ◴[16 Jan 25 23:15 UTC] No.42732167[source]▶
    I would put Twin Peaks: The Return up there too. Beneath the trademark surrealism and whimsy there’s an intense, bittersweet profoundness.

    It was the last thing he made for TV/cinema and for me feels like the culmination of everything he did before it.

    6. noisem4ker ◴[16 Jan 25 23:26 UTC] No.42732253[source]▶
    I feel the same. If Blue Velvet was the first Lynch movie I saw, I surely wouldn't have bothered with the rest, and I would have missed out on what I now consider one of my absolute favorites (Mulholland Drive). Same goes for Eraserhead and Wild at Heart.
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    7. emmelaich ◴[16 Jan 25 23:39 UTC] No.42732366[source]▶
    But it's also so beautiful; Laura Dern's character is so touching and Kyle McLachlan playing the naif in a world of evil is so moving.

    And when they dance together at the end with "Mysteries of Love" playing - wow.

    8. JKCalhoun ◴[17 Jan 25 00:40 UTC] No.42732769[source]▶
    > Lynch at his most singular and uncompromising

    More so than "Eraserhead"?

    9. JKCalhoun ◴[17 Jan 25 00:41 UTC] No.42732775{3}[source]▶
    Agree about "Blue Velvet" — too much Dennis Hopper, ha ha. Also agree the "Mulholland Drive" is a masterpiece.
    10. werdnapk ◴[17 Jan 25 00:54 UTC] No.42732853[source]▶
    Mulholland Drive was my first Lynch movie and led me to watch pretty much everything else he released. I'd still start with Mulholland Drive if I started over again I think.
    11. butterisgood ◴[17 Jan 25 01:07 UTC] No.42732941[source]▶
    Other than the 1980's Dune movie he directed, I think it was either Lost Highway or Mulholland Drive that made me want to know more about David Lynch.

    I had to watch Mulholland Drive at least 5 times to get a sense of what it's even about, and I think I must have been the audience for which he made that film, if it wasn't indeed just art to make himself happy (which is the BEST kind).

    Anyway, it kind of endears another person to you when you connect with their work. So this one hit kind of hard.

    I lost a fellow weirdo, and he'll be missed!

    12. zug_zug ◴[17 Jan 25 01:35 UTC] No.42733102[source]▶
    Literally just watched it today and it's definitely in my 10 least favorite movies I've ever watched. Wish I had seen your comment.
    13. crispyambulance ◴[17 Jan 25 02:10 UTC] No.42733320[source]▶
    Elephant Man is perhaps the most approachable. Anthony Hopkins and John Hurt are at the apex of their acting careers in this film.

    After that Mullholland Drive is absolutely brilliant and has that unforgettable masterpiece diner scene: https://youtu.be/UozhOo0Dt4o?si=GedzAdMh0KIXoHz4

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    14. xivusr ◴[17 Jan 25 02:55 UTC] No.42733614[source]▶
    The lipstick scene. There should be an emoji for that.
    15. imbnwa ◴[17 Jan 25 03:09 UTC] No.42733688[source]▶
    The Sekiro of Lynch movies. I was defeated by the first dance routine.
    16. dalmo3 ◴[17 Jan 25 03:58 UTC] No.42733921{3}[source]▶
    It was my first, and I didn't bother with the rest.

    There's just something in it that made me viscerally hate it, and I'm usually fond of surreal movies.

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    17. itsmemattchung ◴[17 Jan 25 07:00 UTC] No.42734843[source]▶
    Okay. not knowing anything about this film, not ever hearing or seeing it, I just clicked on that diner scene and holy f*ck, that was terrifying. and thank you :)
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    18. adamc ◴[17 Jan 25 14:41 UTC] No.42737970{4}[source]▶
    It's worth giving Mulholland Drive a look. And the Elephant Man and The Straight Story are nothing like Blue Velvet.
    19. ascagnel_ ◴[17 Jan 25 16:48 UTC] No.42740078{3}[source]▶
    It's a jump scare that works incredibly well, yet it's shot in slow-motion and lit to full daylight, two things anathema to jump scares.
    20. jrace ◴[18 Jan 25 18:21 UTC] No.42750216[source]▶
    I would say that A Straight Story is even more approachable.

    If you didn't know it was by Lynch you would never suspect it.