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556 points greenie_beans | 1 comments | | HN request time: 0.001s | source
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Animats ◴[] No.42468901[source]
This business model goes way back, to long before streaming. The Seeburg 1000 [1] was a background music player sold to restaurants and stores. Like Musak, it was a service, but used a local player. New sets of disks were delivered once a month or so. 1000 songs in a set, hence the name.

The music was recorded by Seeburg's own orchestra, using songs either in the public domain or for which they had purchased unlimited rights. Just like the modern "ghost artists". So this business model goes back to the 1950s.

The records had a form of copy protection - nonstandard RPM, nonstandard size, nonstandard hole size, nonstandard groove width. So they didn't file copyrights on all this material. As a result, there are sites on the web streaming old Seeburg 1000 content.

Seeburg made jukeboxes with random access, but the background player was simpler - it just played a big stack of records over and over. It's rather low-fi, because the records were 16 2/3 RPM, which limits frequency response.

[1] https://www.youtube.com/watch?v=W2Y6OKy4AMc

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zimmund ◴[] No.42473772[source]
And before this: self-playing pianos using perforated rolls, reducing the cost of hiring live pianists in saloons.
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1. Animats ◴[] No.42474247[source]
Different legal environment. Until 1908, player piano companies didn't have to pay royalties to composers. See White-Smith Music Publishing Co. v. Apollo Co..[1] So, in its growth period, the player piano industry didn't need to acquire music rights. Then Congress changed the law, to create the "mechanical license" right to play out the song from a storage device.

[1] https://en.wikipedia.org/wiki/White-Smith_Music_Publishing_C....