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556 points greenie_beans | 1 comments | | HN request time: 0.212s | source
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_1ts3 ◴[] No.42468747[source]
I run a label that has direct deals with certain major DSPs. We do over a billion streams a year.

The entire “wellness” music category is programming driven. Much of my energy is spent building and maintaining relationships with the programmers, even with our direct deals. We take a reduced payout on the master side in return for preferential treatment on playlist positions.

I have an active roster of extremely talented producers. It’s a volume play. I’ve made tracks that I’m quite proud of in 90 minutes that have done 20+ million streams.

It’s a wild system but we’ve made it work. Not really a critique or an endorsement - just making a living making music.

Edit: fun fact, Sleep Sounds is generally the #1 streamed playlist on the entire Apple Music platform.

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1. eleveriven ◴[] No.42469040[source]
On one hand, it’s a way to guarantee visibility and streams... On the other, it seems like another symptom of how streaming has commodified music... (I'm talking about the reduced payouts for preferential playlist treatment)