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Tog's Paradox

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166 points adzicg | 1 comments | | HN request time: 0s | source
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posix86 ◴[] No.41914285[source]
Tog's paradox is the main reason why I suspect that generative AI will never destroy art, it will enhance it. It allows you to create artworks within minutes that until recently required hours to create and years to master. This will cause new art to emerge that pushes these new tools to the limit, again with years of study and mastery, and they will look like nothing we've been able to produce so far.
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Drakim ◴[] No.41914383[source]
This is exactly what happened when digital tools like Photoshop became mainstream, where you can copy-paste, recolor, adjust, stretch and transform. It didn't obsolete the manual creation of art, but instead enhanced it. It's common for artists to sketch on paper (or tablet) and later digitize and color on their computer, achieving results faster and better than what was possible in the past.
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psd1 ◴[] No.41915322[source]
I agree but also don't.

I crave authenticity. I recognise the creativity and talent in digital painting, but it lacks authenticity. I hardly feel I'll like AI art more.

Not all art needs to be high art, of course. I've bought prints of digital paintings and woodblock prints. Nonetheless, /r/ArtPorn today is like going to the cinema and being shown a compilation of TV adverts. AI art is probably not going to improve that.

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1. Drakim ◴[] No.41915656[source]
I totally get that, but do consider that there were probably people in the past who felt that non-analog art wasn't authentic. That it's not a real piece of art on a real piece of paper or canvas, but a mocking grid of pixels digitized to mimic the authentic but with a jagged plastic aftertaste.

Personally, I love pixel art and think it a very legitimate medium to create art in. I can understand why somebody wants art to be something physical and real, unique and non-digital, but I feel much more strongly that the advent of digital art gave more than it took.

My hopes is that the same will be true for AI art.